Showing posts with label love and death. Show all posts
Showing posts with label love and death. Show all posts

Tuesday, April 28, 2015

Joan Crawford Week: Grand Hotel




Welcome ladies and gents to Day 1 of Joan Crawford Week. Today we look at the adaptation of screenplay of the same name to film by playwright/screenplay writer William A. Drake (The Trespasser, Paramount on Parade, Riptide, The Flame Within, Dark Victory and The Old Maid) and working alongside with actor/writer/director Edmund Goulding (Reaching for the Moon, Night Angel, A Night at the Opera, Dark Victory, The Old Maid and The Razor's Edge) This film's influence stems to this day with the famous line "I want to be alone", uttered by Greta Garbo and in American Film Institute placed at number 30 of the 100 Years... 100 Movie Quotes.

This is Grand Hotel.

Fame overwhelms the mind, don't it?













The Grand Hotel hails from Berlin and houses a curious collection of people from every walk of life. The standards view is people come and go, and nothing ever truly happens. With a crippled veteran of World War I, Doctor Otternschlag (Lewis Stone of The Lost World, Queen Christina, Love Finds Andy Hardy, Scarmouche and The Prisoner of Zenda) being the hotel's lone permanent resident, much goes on in the hotel he calls home.

A member of the Kaiserreich a one Baron Felix von Geigern (John Barrymore of Here Comes the Bride, Dr. Jekyll and Mr. Hyde, The Sea Beast, Moby Dick, Dinner at Eight and The Great Profile) a squander of his fortune keeps himself afloat by being a card player and indulging in the odd spot of jewel theft befriends mild-mannered accountant Otto Kringelein (Lionel Barrymore of Captains Courageous, You Can't Take It With You, It's a Wonderful Life, Key Largo and Lone Star) who recently discovered he is dying and will spend his remaining days on this Earth in the lap of luxury. Let go from his job he is excited for a bit of action and entertainment.

Sir, stop farting on my scotch and soda!













Meanwhile his former employer, Industrialist General Director Preysing (Wallace Beery of Robin Hood, The Sea Hawk, Another Man's Wife, Dynamite Smith, The Champ and Viva Villa!) is dictating to his secretary Flaemchen (Joan Crawford of Mildred Pierce, Goodbye, My Fancy, Torch Song, Sudden Fear, This Woman Is Dangerous, Johnny Guitar and The Caretakers) who exhibits a certain naivete' explaining to Preysing how she aspires to be an actress and displays a few photo magazine shots that frankly had a bit of cheesecake quality towards them, slowly hinting that she will give more than typing if he assists her in her budding career. Last but certainly not least is the Russian ballerina whose career seems out of sorts, Grusinskaya (Greta Garbo of The Temptress, Flesh and the Devil, The Divine Woman, The Kiss, Mata Hari, As You Desire Me and The Painted Veil) manages to catch the Baron's eye for her stunning beauty and fine quality jewels.

Snatching the goods, the Baron finally sees an opportunity to get ahead when he sees Grusinskaya enter the room, speaking to herself about suicide with medication in hand. The Baron comes out of the shadows of where he was hiding and simply speaks with her bringing a little happiness to her face. The next day the Baron filled with remorse returns Grusinskaya's precious jewels to her in the hopes she may forgive him in his moment of weakness. Rather than summon the authorities she invites him to journey with her to Vienna. See? I would have just gotten the cops called on me and charges pressed. Go figure. With tempers flaring between Kringlein and his former boss Preysing it can only in tears, violence and quite possibly a murder.



A quick couple of facts on the film. While made in 1932, the budget for the movie was 700,000 clams. Wallace Beery would storm out of rehearsals and only return "When Joan Crawford learns to act." Both Joan and Greta were reluctant to star as their characters. Ms. Crawford felt she would be censored immensely for her provocative character and Ms. Garbo felt she would be lost in the crowd of so many stars.  

Did Jake forget I am the star of this week?  The hack!

Monday, April 22, 2013

Douglas Sirk Week: Magnificent Obsession


Welcome one and all to the beginning of Douglas Sirk Week.  Now I understand if some of you are thrown off as this week will not revolve around Horror, Science Fiction, Comic Book based films or TV but you must learn to adapt.   Douglas Sirk was known for films to exude a certain sense of irony, drama and matters of the heart. His films were battered and deep fried with symbolism with a dash of idealism for the human spirit. 
 Picture if you will a spoiled rich boy that looks out for nothing but him and his sense of fun.  With the morals of a 5 year old having a temper tantrum he has ruined lives, property and businesses with nothing more than signing a check for damages but let’s say he latest shenanigans cause a error too awesome to correct by simply buying someone off and he must be held accountable not by law but by mere conscience.   So grab your stethoscope, poke that cadaver with a stick and try to keep it professional.   This is Magnificent Obsession.

 
Really 007, must we go so fast?





All spoiler to me is a name…








From the pages from novelist Lloyd C. Douglas (Green Light, The Robe and The Big Fisherman) comes the story of two people intertwined in life possibly by fate.  Rich man Bob Merrick (Rock Hudson of Written on the Wind, Giant, The Tarnished Angels, A Farewell to Arms, Pillow Talk and The Last Sunset) is being reckless on a speed boat with a young gal when he wrecks it.  Rescue teams are sent to revive him and at the same time the local doctor and esteemed hero, Dr. Wayne Phillips dies without aid due to Merrick’s shenanigans no matter how indirectly.   

 The good doctor’s widow Helen (Jane Wyman of The Lost Weekend, Johnny Belinda, Stage Fright, Bon Voyage! and How to Commit Marriage) receives phone calls, telegrams and letters exclaiming offers of condolences and offers to pay back loans that the doctor had refused to accept as payment in life.  Phllips’ oldest friend, successful artist and amateur philosopher Edward Randolph (Otto Kruger of Dracula’s Daughter, Murder, My Sweet, Saboteur, High Noon, Hit Parade and The Last Command) tries to put things in perspective for Helen.  No sooner does our rich heel awake in the hospital he realizes he is getting the stink eye, quite possibly the evil eye as well. 

Your rent's due and no excuses!













Baffled at this, he runs out of the hospital finding out that he inadvertently caused the death of a hero.  Grief struck he offers the widow some compensation only to find out that he is a schmuck that constantly deals with issues by throwing money at it and is very much lacking in conscience and a soul.   Helen runs away from Merrick out her home to be stricken by a car causing her to be blinded.  Feeling even worse now Merrick stops being a screw up and dedicates all his studies to the medical practice so that he may one day restore the sight that was so cruelly taken from Helen.

Now I have just a few points on this film if you don’t mind.  Hudson’s performance from heel to hero is a long path and in general, excellent work but the story feels a bit too compassionate and burdensome.  Having this film being remade Merrick would toss money again but to finding a fully qualified surgeon rather than becoming one himself.  

AHH! VAMPIRE!!













The dynamic between Helen and Merrick is believable but it seems a bit rushed.  There is a flurry of emotions and settings that are compelling and the quality of the movie overall in superb.  35 mm Spherical is capturing every frame and alas I cannot seem to find a copy beyond Technicolor.  All in all it is a little sappy and tugs on the heart strings but at the end, even the biggest jerk would get a smile from it.

Douglas Sirk Week

Howdy all.  I thought we would step away from misogynistic staples of the girl being saved by the hero and the relentless slasher chasing after the jiggly girls and take a peek at some heart felt movies for a change.

LooOoOok into my eyes!!!!














Enter Douglas Sirk. This director was known for a more than a handful of melodramas that captured the imagination but in my opinion elevated the human spirit and the ideal that men should strive for to not simply wooing the lady but to better themselves.   That being said some of the film ideas are a bit far fetched and contextually silly in some parts but heck you can say the very same thing about Frank Capra's work.  So sit back and relax and maybe we will learn something about cinematography that does not involve gore gags.

Wow, what a novel concept.