Hey folks. What's going on? Decided
I needed some comedy to review for a change. A bit of John Candy.
So some organized mob, gunfires and maybe even some drag. This is
Armed and Dangerous.
Divine never looked so saucy |
Officer Dooley (The late and great John
Candy of SCTV, Who's Harry Crumb?, Uncle Buck, Home Alone, Nothing
But Trouble, Only the Lonely, Delirious and Once Upon a Crime)
a decent guy gets caught with a stolen TV courtesy of his fellow boys
in blue pinning the theft on him. Right Dooley. Next you'll tell
me the Rodney King verdict was unjust. But instead of going to
jail, they take his badge and end his career. At the same time,
nervous defense lawyer Norman Kane (Eugene Levy of SCTV, Club
Paradise, Splash, Father of the Bride, Stay Tuned, Maniac Mansion,
Multiplicity, Waiting for Guffman, Almost Heroes and Holy Man)
is at his wit's end defending murderers, psychos and tweakers. He
desperately needs a career change. No sooner are these two roped
into the exciting wondrous world of guard duty, the pharmaceutical
company they are guarding is robbed.
Whaddua mean I have less sex appeal than Steve Guttenberg? |
Funny how the robbers sound exactly
like two thugs from the Union. Wonder if there could ever be
corruption in a union job. Nah. Their boss, Captain O' Connell
(Kenneth McMillan of Salem's Lot, Partners, The Clairvoyant,
Blue Skies Again, The Pope of Greenwich Village, Dune, Runaway Train
and Cat's Eye) reams their asses, slaps them with a hundred
dollar fine because the whole fiasco was explained...a little piss
poorly. With heated tempers, crucial evidence to how the robbery
went down was ignored.
With their butts on the line and their
jobs looking bleak what with guarding a dump and a toxic landfill,
the guys decide to check out the robberies themselves.
With a collective of talent in this
film it is really hard to dislike it. Helmed by director Mark L.
Lester (Firestarter, Commando, Class of 1984, Class of
1999, Showdown in Little Toyko and The Dragons of Camelot)
and screenplay by the late and great Harold Ramis (Meatballs,
Stripes, Ghostbusters, Caddyshack, Back to School, Groundhog Day and
Analyze This) this film is not politically correct, there
will be ethnic slurs and sexist content of bimbo women. Hmm I might
be putting folks off. Okay...starting anew. There is slapstick,
drag humor and more gun play than an Eastwood movie. This is really
that stint in comedy where they wanted some action to go with the
humor. A rash of theft makes Dooley believe that there is more
going on and the very company he is working for is directly involved
with it. Maybe not most of the guards but some of the higher ups.
Man, that orgy got out of hand, right? |
With the union being so tight lipped
about why they need close to $4 million a year to keep them in the
black and yet no actual explanation to what this $15 a week in 1986
timeline that is a fair chunk of change. By inflation status, think
$50 a week. Now that has your attention. Besides, most union
charge by the month not weekly so already something is off. Plus
half of their staff look like gunsels.
With their accountant rep trying to
wash the dough (ill gotten gains from illegal sales plus making only
80 cents on the dollar in laundering) the big boys decide he is a
loose end and are gonna take him for "a little drive".
At this point the crooked cops must
also be on the unions' dollar as Dooley and Kane are being chased by
syndicate, bent cops and hell, why not the fire department now.
With Kane's mental stress levels and
Dooley's dishonorable discharge from the police, they are plump
pigeons ripe for the blame.
Can the boys get themselves out of this
jam? Will Meg Ryan a.k.a. Maggie have feelings for Kane? Will
Brion James play YET another loopy?
With some decent crane shots, dolly
track and some substantial car crash stunts, this is as action as
possible. Hell the Texan in the big rig smashing down the L.A.
Freeway to Born to Be Wild is enough excitement as it is.
Goodfellas? Geddoutta here! |
No comments:
Post a Comment