Alright back again with an award winning film that touched
the hearts of millions and filled songs deep within their souls…oh wait I am
reviewing another vampire movie.
Crap. Well strap in kiddies
because this bronco will do more than buck.
It will probably stomp a new mud hole in you.
Spoiler Alert! There will be critiquing and outright scene
explanation as well as bashing of said movie
Now before I bring the hot pokers to this movie, let me be
clear in saying I love Sid Haig and Ken Foree.
Sid Haig made his bones with
TV shows such as Gunsmoke, Get Smart and
even a few Mission Impossible episodes.
The first film I saw him in was Coffy
starring Pam Grier. He was playing
this sick cat named Omar and just a vicious but calm mother. You younger viewers know him better as Captain Spaulding of House of a Thousand
Corpses and The Devil’s Rejects. Ken Foree on the other hand starred in
the original Dawn of the Dead as
Peter and later as the Reverend in the 2004 remake. I have seen him in TV as far back as a Hunter
episode but my favorite character of his is the ground pounding PFC (Private First Class) Large from
Babylon 5. Smoking a cigar in a
barrack that isn’t even his and telling his rookie bunkmate war stories. Hell, Victoria
Pratt from Cleopatra 2525 and Mutant
X is in this so what could go wrong?
Sigh.
Well enough back pedaling, here we go. Directors/Writers Michael Roesch and Peter
Scheerer co-wrote and directed Alone in
the Dark 2 and House of the Dead 2) brings us this festive little romp. We encounter our band of vampire hunters and
it would seem not all is well as one of them is bound in chains; the other tied
to a chair getting slapped around for information by vampires. Maybe they are on the set of the last Bruno
Mattei’s Woman in Chains flicks. Always
be concerned when your flick has vamp fangs made of wax and not veneer jobs
instead. The sound quality seems to be
off or maybe it was just the DVD copy I had rented but I swear the actors do
not sound like they are miked at all.
Our fearless vampire huntress has a heated discussion with one of the
lead vamps as she picks her locks. Hmm
heightened senses must be off. Sid Haig, a.k.a. Lord Pashek takes conference
with his right hand man Fork. Yeah I
kid you not. Fork is his name. A
wandering nit wit human stumbles on an ancient burial ground in Romania and
gets scraped by an ancient vampire corpse and is infused with Satan!!! HUH?!
Oh and the accents that are attempted are to die for. I heard so many half assed European attempts
it was just painful after a while.
This film is interspersed with scenes not being in a sense
of chronological order. The story is
laid out as a series of flashbacks from L.A. to Romania to San Pedro to L.A.
and a rough narrative overshadowing the story and trying to bring everything
tied in. Nicely done but this HD DVD
hand held steady cam; while great for those tight zoom shots and able to whip
back and forth from character to character just does not give it a good 35MM
feel and hey this is coming from a guy that remembers Super 8 films. Maybe they were going for a Pulp Fiction/
Less Than Zero feel. The HD gives it an updated home movie look and
while the picture is crystal clear it feels like their budget could not be
strained at all.
Our fearless vampire killers…say that would make a great…oh
crap already been done. Ahem our courageous
vampire hunters sound off! Carrie!
(Victoria Pratt) Keaton! (Jason Connery) Jill! (Rachel Grant of Die Another Day and The Tournament) I was slightly disturbed the vampire hunters
chained Ken Foree to a table and not because the effects showed them cutting
off circulation or the chains had crosses and holy water placed on it. Nah it just felt like some avant-garde
bondage performance art piece that no one gets. Actually I have yet another spoiler here for
you all. Foree spends most of his scenes
strapped down. They find out with a
little bit of torture that the vamps are terrified that Satan has taken human
form and now roams the Earth but they call him Vlad Kosay and the greatest
trick Vlad ever did was to prove he didn’t exist. If the sets weren’t so minimum and poorly
lit…well who am I kidding? It would
still suck. I never saw so much fog in
a flick outside the Fog. The narrative is unnecessary, the pace is slow and the
performance is barely memorable. Our
action scenes were sketchy at best and the gore or violence was tame. Move on gentle readers. This is a turd in
your cereal bowl.
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