Hiya gang and welcome back for Day 4
of Bloodsucker Sequels. Hey remember when director/writer Patrick
Lussier retold the legend of Dracula in the year 2000? Thus getting
the title Dracula 2000? What ever became of Simon Shepard and Mary
Van Helsing? Did they ever drag down the smoking remains of Dracula
and entomb in the crypt under Carfax Abbey? What if none of those
questions will be answered at all? Then you would have a sequel
ignoring its own storyline. This is Dracula II: Ascension.
Hey, that's not Gerald Butler!
So the fairly well spoken narrative of
Mary being her father's daughter and the keeper of Dracula's
remains...yeah we can toss that notion right out the window.
RETCON! Hours after Dracula transmogrifies to Mr. Crispy due to
intense ultraviolet rays he is wheeled into the morgue. Prior to
this reveal is our beginning story in Transylvania with Father Uffizi
(Jason Scott Lee of Back to the Future II, Ghoulies Go to
College, Map of the Human Heart, Dragon: The Bruce Lee Story, The
Jungle Book, Tale of the Mummy, Soldier, Lilo & Stitch, Timecop:
The Berlin Decision and The Prophecy: Forsaken and Seventh Son)
with twin vamp girls (Jennifer Kroll of Weird Science, Cybill
and Dracula II: Ascension) when he was injured by one of the
vamps corrupting him. He walks in the sun and flogs himself to purge
the evil.
Now according to a friend of mine who
watched this with the commentary on; it was stated that the master of
vampires' body was swapped for another and Mary ended up claiming
another charred corpse and stowed him away. Apparently that scene
just wasn't worth filming or maybe it hit the cutting floor. There
goes her pre-natural senses. Interns Luke (Jason London of
Dazed and Confused, Mixed Signals, Broken Vessels, The Rage: Carrie
2, Jason and the Argonauts and Grind)and Liz (Diane
Neal of Dracula II: Ascension, Second Born, Law & Order: Special
Victims Unit, NCIS, Power, Suits and NCIS: New Orleans) work
to move the body for an experimentation when they see the body
healing on its own from third degree burns of bone and ash.
Jeremy? Jason here. Look I'm not feeling this role. Cover for me?
Professor Lowell (Craig Sheffer
of Nightbreed, A River Runs Through It, Hellraiser: Inferno, One Tree
Hill and The Mark) suffering from palsy feels this is the
real first step to repairing his on diseased cells. Along for the
ride of science and the macabre is fellow intern/students Kenny
(Khary Payton of Street Sharks, Certain Guys, Latter Days,
Marvel: Ultimate Alliance, Teen Titans, Friday: The Animated Series,
Ben 10, The Sims 3, Marvel: Ultimate Alliance 2 and Young Justice)
and bubbly Tanya (Brande Roderick of Club Wild Side 2, Stripper
Wives, Baywatch, Baywatch: Hawaiian Wedding, Starsky & Hutch,
Lucky 13 and The Daily Habit). So off to flirt with
damnation and death then!
A middle man Eric meets to explain that
large sacks of money are on their way if the kids play ball. Lowell
goes on to explain the mythos of Dracula as he can apparently change
his appearance after every resurrection (Hang on a tic, that's
the Doctor's racket you hornin' in on, mate!) and their
paltry explaination why Gerald Butler is not reprising his former
role but now a platinum blonde man (Stephen Billington of Out
of the Blue, Highlander: The Raven, Cornation Street, Resident Evil,
Young Arthur, The Prophecy: Uprising, A Life in Suitcases and
Hollyoaks) who flirts with Liz. With Luke being the only
real one of sound mind, he goes shopping for holy water, knotted rope
and seeds following the vampire mythos of their need to untie knots,
count seeds and well holy water probably burns like the Dickens.
Meanwhile, Father Uffizi is on the trail for Dracula as well and
Heaven help whomever stops him.
Will tampering with Dracula lead to
bodies hitting the floor? Should Luke pour holy water all over
himself? Can Liz stop flittering between her collective men?
Patrick Lussier really wanted Dracula
to be the pinnacle apex of evil so Billington claims to be to be
Gilles de Rais (Knight and Marshal who was a companion at arms
with Joan of Arc dabbled in satanism and child murder), Vlad
Tepes (House of Draculesti, Prince of Wallachia and Vlad the
Impaler), Proximus (Dux or General of Roman Legion)
and of course Judas the Betrayer. It was if though Dracula was not
evil enough and had to show the audience oh yes, this is a very bad
man in case SOMEHOW you forgot that. While the first film dealt
with shades of gray (Not 50!), Lussier feels the need
to hammer it in your skull that Dracula is the personification of all
that is evil. Subtle touch.
The effects of CGI blood and practical
are a decent mesh but I would have preferred more practical vs CGI.
It captures better on film. Jason Scott Lee's character is a
righteous wrathful man that seems like the instrument of righteous
cruelty rather than a man of God so it was interesting watching him
balance the two sides of himself. Location wise this is a gorgeous
region of hills, mountains and township to capture on film and
connected in the heart of the mythos and Stoker's own writings.
Overall this is not a bad movie but it does contradict a lot of the
first film.
Back again for Day 4 of Vampires Reborn
and today's title is very apt. The origin of the stories spoken and
written brings about a different take on a character that hails from
an age-old monster that haunts many dreams, fascinate others and
terrifies several. A creature that lacks a reflection, has hatred
of all things Christian and seems to have a vulnerability to silver.
This is Dracula 2000.
Jeri Ryan as a vampire?? Hmm...
Deep in the heart of London, Matthew
Van Helsing (Christopher Plummer of The Silent Partner, Murder
by Decree, Highpoint, Dreamscape, Star Trek VI: The Undiscovered
Country, Dolores Claiborne and A Beautiful Mind) a descendant
of the 19th century country doctor that fought Dracula
owns an antique shop working along side his protege Simon Sheppard
(Jonny Lee Miller of Hackers, Trainspotting, Plunket &
Macleane, Mindhunters, Endgame and Elementary) as they are
about to close down for the holiday as Helsing's secretary Solina
(Jennifer Esposito of Summer of Sam, Spin City, The Bachelor,
Beyond the City Limits, Taxi, Samantha Who?, Blue Bloods and She's
Funny That Way)needs a few signatures and she discretely
shoots Simon down for a romantic getaway. That being said, Simon is
off for the night and Matthew retires for the night. A cadre of
thieves break into the Carfax Abbey building, bypass his security and
head into a large catacombs but this was only the modern security.
A few deadly traps killing a member of the crew and they still move
on, stealing a silver coffin which the thieves assume is the treasure
to be had.
You almost hit a mime!
Escaping with the goods with a flight
to New Orleans, the coffin is opened releasing the prince of darkness
himself, Dracula (Gerard Butler of Attila, Shooters, The Jury,
Reign of Fire, 300, Gamer, How to Train Your Dragon and Olympus Has
Fallen) who dispatches his would-be captors with ease and
ended up crashing the plane outside of New Orleans.
Helsing gets on a plane and heads out
for the crash-site, only to followed by Simon and then things get a
bit kooky. Not having a CSI in this tiny town, the buddies were
brought to a school only to release freshly made vampires. Simon
quickly comes to terms that the monsters were real and helps end
them. Matthew explains that he is actually Abraham and kept Dracula
prisoner all these centuries, using Dracula's blood to prolong his
life until he could figure a way to dispose of him forever.
Dracula bound by blood, seeks Helsing's
daughter Mary (Justine Waddell of Great Expectations, Chaos,
The Fall, Target and Killing Bono) as they are connected on a
psychic level. Helsing and Simon must get to Mary before Dracula
does and stop him as quickly as possible.
A few points of interest on the film.
The name of Helsing's antique shop is named Carfax Abbey, the name of
the house Dracula moved into in Stoker's novel. Actress/singer
Vitamin C playing Lucy Westerman works in Virgin Megastore and you
can clearly see one of her own albums on the rack. I noticed it seem
we were less likely in London and more so in Toronto.
Not a brilliant movie but a new spin on
an old thing. I have seen far lesser Dracula films and trust me on
that.
What’s happenin’ babies?
Okay got that out of my system and welcome to Horror of 1970 Week. This week we trowel some B Movies of the year
and we shall see if we find any gems or diamonds in the rough rather than a
polished turd. So let’s commence with a
Hammer Film of the vampiric nature starring our favorite Prince of Darkness,
Dracula so fasten your crosses to a lapel, prep your rings of garlic and put an
edge on that stake. This is Scars of
Dracula.
His eyes are so scary the credits tremble.
Klove: You fools! You think you can destroy my spoiler??!! The flames will never reach him!
As in the previous films there is of course the recap from
its predecessor giving us the highlights of what was then and why the monster
returns yet again to wreak chaos on the land and the villagers. We see Dracula’s
remains, his cape and a pile of dried blood and dust left on the altar in said
church. Alice saved by Paul shudder at
Dracula’s agonizing death and leave.
However, a large bat flies in the church dribbling blood from its fangs
on to the powdered, desiccated remains only to resurrect the vampire once
again.
Villager rabble and cookout!
A year later the villagers summon the nerve to attack the
Castle Dracula after yet another village girl died at his hand and they burn
the Castle while the Count is actually snoozing away in a crypt away from the
castle. After their arsonist deeds, the
villagers return to find every woman and child hid in the church to be
slaughtered by bats.
Accused of raping the burgomasters’ daughter (she was
spurned by Paul) Paul Carlson (Christopher Matthews of Some Like It Sexy,
Scream and Scream Again and See No Evil) fled from the Kleinenberg
officials by leaping into a handy coach and while it lacked a driver it takes
off with great velocity. The coach
deposits him off to the slightly ruined Castle Dracula where the lord of manor and
his mistress Tania (Anouska Hempel of On Her Majesty’s Secret Service, Tiffany Jones and
Black Snake). After dinner and
given his room to stay Tania and Paul…have a brief little liaison of the flesh
when Dracula comes barging in, slaps Paul aside like a rag doll and skewers
Tania with a dagger. He locks Paul in
his room and hands Tania to Klove (Patrick Troughton of Hamlet, Doctor Who,
Sinbad and the Eye of the Tiger, The Omen and Knights of God) to
dispose of her. Paul attempts an escape
but is trapped in a room with a locked door and a coffin at his feet.
Now the frat's hazing can be...rough.
Sometime later Paul’s brother Simon (Dennis Waterman of The Sweeny,
Sweeny!, Sweeny 2, Back in Business and New Tricks) and Paul’s fiancée
Sarah (Jenny Hanley of On Her Majesty’s Secret Service, The Flesh and Blood
Show, Saturday Night at the Mill and West Country Tales) are attempting
to retrace Paul’s whereabouts and remove this stigma on his good name. The reluctance of the authorities makes
Simon a bit concerned but little does he know what truly happens in this
village.
I wanted to make a few points of interest in this film. Christopher Lee has a lot more to do, better
dialogue and still quite menacing. The
cinematography as always amazing and their collection of scale model and deep
woods was so impressive and the landscape paintings were quite detailed. The
violence is greater and sexuality a bit more freely than back in the day
however I feel the ending is a bit anti-climatic as it feels like they were running
out of ideas. Just my take on it but if
you are a Hammer fan give it some love and the once over.
Hello and welcome back to Hammer Features Week. Now it is rare I tackle a sequel directly
after reviewing its original source but I thought this could be entertaining
and therefore how could I refuse?
We hark to the year of our lord 1966 where director Terence Fisher (The Curse of Frankenstein, Hound
of the Baskervilles, The Mummy and Horror of Dracula) has procured
another helping of horror to the dish of dismay, this dinner of detestation…yeah
now I am just flexing my vocabulary.
Dreadfully sorry about that behavior, it won’t happen again for a while. So hang the garlic cloves around your
windows, don your crucifix and prepare for battles with the undead. This is Dracula: Prince of Darkness.
Dracula's tale told through The Eye of Sauron.
After a reign of
hideous terror, spanning more than a century, the King of the Spoiler was
finally traced to his lair high in the Carpathian mountains.
It has been ten years, ten quiet years since Doctor Van
Helsing had done battle with the lord of the undead Dracula and won. Dracula
had faced an adversary armed with the knowledge of dispatching vampirism and
the dark lord’s arrogance was his own undoing.
The villagers quietly rejoice but remain vigilant of any strangers,
stragglers or persons unknown. To not
allow them to disturb the town of Karlsbad in the remote region of the castle
of Dracula the peasants remain cordial but wary. Four young travelers from England are
visiting the countryside to broaden their horizons. They
have chosen to dine and relax in the local tavern with a large well armed
priest wanders from off the road in need of libation and a warm meal.
Father Sandor (Andrew Keir of Sword of Freedom,
Ivanhoe, The Four Just Men, Cleopatra, Macbeth and Daleks’ Invasion Earth: 2150
A.D.) greets the Kent family four but urges them to avoid
Karlsbad. Our young travelers are
baffled at the mention of this castle because the maps show nothing in that
area but the good father assures them the castle is there and they should not
go. Naturally the good father’s
warnings are chocked up to being poppycock and tom foolery. The Kent family travels until almost evening
when the coach driver pulls over, demands they vacate the carriage and even
threatens them at dagger point for them to leave.
Now dear what could possibly go wrong?
Confused for a place to stay for the night is a shabby cabin
to lodge in or they can walk the two kilometers (1.24 miles for the Americans. Stupid metric system.) into
Karlsbad. As luck would have it, quite
possibly a writing device, a driverless coach appears with two black
stallions. Our party cannot believe
their good fortune and head off…with the ominous omens and portents here!
And now I have just a few tidbits and bonmots about the film.
Once again I am always floored by the
costuming and sets Hammer brought to life.
The haunting chords of composer James Bernard sets the scene well and
keeps the mood throughout the film.
Now be honest, am I getting long in the tooth?
Christopher Lee (Horror of Dracula,
The Three Musketeers, The Man with the Golden Gun, Dracula and Son and Star
Wars: Episode II- Attack of the Clones) is completely
without dialogue the whole film. The rumormill
churned out such fabrications to Lee was being a diva and insisted Dracula
would never say such things. Another story
is the screenwriter felt vampires had no need for idle chat or tete-a-tete so that being said Lee was to have no lines at
all. Take your pick on which you choose
to believe.
Okay you horror nuts have a decent one
for you all. Harkin back to 1958 when
Dracula was tall, majestic and all the while vicious and one would dare say
brutal. So grab your crucifix, holy
water and a few stakes. This is the
Horror of Dracula.
There's a trusting face.
Shh there be
spoilers on the moors.
Veteran Hammer Film Director Terrence Fisher (The Curse of Frankenstein, Horror
of Dracula, The Revenge of Frankenstein, The Hound of the Baskervilles, and The
Man Could Cheat Death) brings in my humble opinion a timeless tale of
the misdeeds of the Lord of the Vampires.
We open with our movie on Jonathan Harker (John Van Eyssen of Chance
Meeting, Four Sided Triangle and Quartermass 2) a mind mannered
librarian arriving in Transylvania to catalog Count Dracula’s extensive library
but in fact is to investigate Count Dracula (Christopher Lee of Horror of
Dracula, The Three Musketeers, The Man with the Golden Gun,
Dracula and Son and Star Wars: Episode II- Attack of the Clones) and the possible link he has with a cult
of vampirism. Soon after encountering
one of Dracula’s brides, Harker is determined to rid the world of this undead
monster, manages to stake the girl but is thereby angered Dracula and is slain
by him.
Mmm, just my type. A negative.
Doctor Van Helsing (Peter Cushing of The Curse of
Frankenstein, The Abominable Snowman, The Hound of the Baskervilles, The Brides
of Dracula, Dr. Who and the Daleks, Star Wars: Episode IV- A New Hope and Shock
Waves) arrives in Transylvania in search of the whereabouts of his
associate; only to find Harker had been made a vampire and he slew his former
colleague. He finds a few detailed clues
that Dracula has vacated the country in search for Harker’s fiancée, Lucy. Desperate to catch the fiend before he has
the girl under his spell, Helsing rushes back to London in the hopes that he
can end Dracula’s tyranny of terror.
What can I say about this movie? Well it is one of the Technicolor
greats. Filmed in standard 35mm stock
and has two very distinguished British actors Peter Cushing and Christopher
Lee. The film has a good pace and does
not leave much time to moll over scene to scene. The wide angle shots of the castle’s interior
will astound you. The musical score in
junction with the exterior castle shots and even those of the graveyard just
sends mild chills down the spine. The fog on the graveyard followed by the
orchestration just sets the tone of this movie.
Lee’s portrayal of Dracula is one of elegance and object cruelty. Cushing is steadfast as a hero and you get
the feeling would sacrifice his own life to end Dracula.
I say old sport, you're crinkling my cravat.
Sorry gore fans this is not that messy
for you but I think the plot and performances should make up for that. As for the rest of you that may have grown up
on these films as well as your children did.
Pop it in your DVD player and give it the love it deserves.