Greetings and welcome back to Giallo
Journeys Day 4. We are back with exhibitionist sexploitation lady extraordinaire Edwige Fenech (Blade of the Ripper, Desert
of Fire, All the Colors of the Dark, The Case of the Bloody Iris,
Naughty Nun, Your Vice Is a Locked Room and Only I Have the Key, Sex
with a Smile, Taxi Girl and The Schoolteacher Goes to Boys' High)
and helmed by erotic horror and macabre director Andrea Bianchi(
Cry of a Prostitute, Confessions of a Frustrated Housewife,
Burial Ground: The Nights of Terror, Exciting Love Girls, The
Seduction of Angela, Maniac Killer, Massacre and Fleshy Doll)
portrays the tragedy or parable of a killer brought to madness due to
a young model dying on an operating table while having an
abortion...so clearly others must perish too. This is Strip Nude for
Your Killer.
Evening ma'am. Interest you in a copy of the Watchtower? |
Doctor No Harm gives our young model a
mickey to cover up this illegal activity so she died other
circumstances. The sly and cold doctor meets his fate as even his
English dubbed voice cannot pull him out of his impending date with
death. Our murderous misanthrope is decked out with a motorcycle
helmet and leathers and SPOILER, clearly a female build. Meanwhile
at the Albatross Modelling Agency...yeah they chose Albatross as
their name for an agency. No irony there at all.
Momma Mia! More penetration that Mario wants!! |
Two photographers Carlo (Nino
Castelnuovo of Rocco and His Brothers, The Umbrellas of Cherbourg,
The English Patient, Una donna per amico, Vittoria di vinti and Nando
dell' Andromeda) and Magda (Edwige Fenech of
Blade of the Ripper, Desert of Fire, All the Colors of the
Dark, The Case of the Bloody Iris, Naughty Nun, Your Vice Is a Locked
Room and Only I Have the Key, Sex with a Smile, Taxi Girl and The
Schoolteacher Goes to Boys' High)
are in a heated affair whilst photographing all these delectable bit
of totty male and female alike. Could have done without Carlo's bun
hugging swimming shorts that is just enough fabric to NOT be a Speedo
so I guess there are worse things.
Oh we can't have a threesome on a ladder. It's bad luck. |
With
this agency having couch casting, men that clearly should have sex
pervert laser coded on their foreheads and that sweaty Maurizio
looking like a genetic crossover of Buddy Hackett and Peter Lorre,
you would think there would be countless lawsuits going their way.
A simple re-print with ease means our killer has a group photo of all
those that worked with model Evelyn. Omni-sexual Mario (the
photographer not Mario Mario)
gets a visit from killer to give said group photo and then is knived
in the kidneys. Gisella (Lia Amanda of 2 samurai
per 100 geishe, Il compromess... erotico, Prouesses porno, Sarabande
porno, Supersexymarket and Il viziaccio)
owner of the agency is grilled for hours by the cops because of Mario
and the rest of the staff are nervous about what could happened to
him and what motif could there be.
Maurizio
attempts to plow Doris (Erna Schurer of Le
salamandre, The Battle of the Last Panzer, La bambola di Satana,
Blood Castle and Erotic Exploits of a Sexy Seducer)
because Gisella won't sleep with him and he's...premature, cries and
makes an ass of himself. Yup I did not need to see a portly fuzzy
guy fail miserably in seduction. Worry ye not, gentle readers. Our
killer dispatches fuzzy wuzzy with another round of kidney stabbings.
With Gisella being badgered by the cops, Carlo and Magda start to
wonder who this maniac is.
The
pace between sex and death scenes span minutes from each other. It
is almost as if the director was trying to establish risque link-ups
lead to brutal murder. Clocking at 98 minutes, our sleaze fest
tries to make you feel some semblance of sorrow or empathy for those
slain. This movie does operate on controlled lighting, at least 9
sex scenes tastefully done but overall aside from the copious T &
A and gore effects, it doesn't offer anything of originality. Not a
bad film but I have seen it better done by Mario Bava, Lucio Fulci
and Dario Argento so "A" for effort but a B- for
completion.
I'm not too forward, am I? |
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