Hey all we are back again for Day 2 of
Bruce Lee Stardom. I had no other title that seemed suiting. This
film is Bruce's second lead starring role giving again not just well
deserved ass-whippings a plenty but trying to tell a story of a young
man paying respects to the mentor that molded him from a young lad
into the man he is today. The journey is a man happy in his life's
decisions but must put his plans on hold in order to get the justice
that is due. This is Fist of Fury a.k.a. The Chinese Connection.
Hope that dojo has a lot of ice...for these punks. |
Chen Zhen (Bruce Lee) arrives in
Shanghai returns to his martial arts school during the time of the
Japanese occupation of Shanghai. He wishes to be engaged to Yuan Le-erh (Nora
Miao of The Big Boss, The Story of Daisy, Jin xuan feng, The Way of
the Dragon, The Devil's Treasure, Tokyo-Seoul-Bangkok and The
Skyhawk) and wishes to tell his sifu (mentor or master) the
good news when he finds his master has died and the funeral is
proceeding as he arrives. A man in such robust health suddenly
passes away seems strange.
A shrine of memory. |
No sooner have 2 days past in their
mourning, a couple of students plus the dojo's intrepreter Wu (Ping
Ou Wei of Fist of Fury, Way of the Dragon, Fists of Bruce Lee,
Kung-Fu Commandos, Fist of Fury III, The Art of War by Sun Tzu)
of (Clan Tang) brings a rude message to the school calling them, "The
Sick Men of Asia" and referencing the students lower than dogs,
tipping their hands to the students that now suspect the dojo of
doing in their master. Regardless of the teachings of his master
preaching defense not offense, Chen must satisfy his own lust for
revenge and tromp these men that would make a mockery of his
teachings. Granted doing so does also mock what his master stood for
but you try to rationalize with a pissed off man of his skill and
temper.
Sorry. Holding in a sneeze. |
As a former student of martial arts
what I find most offensive the rivalry between two different schools
of thought. Martial arts disciplines mind, body and spirit and both
schools are guilty of insulting those very beliefs. That being said
though, kick some ass, Bruce! Omg the fight scenes in this flick
are sick! Yeah I know the theme offended me but damn Lee was on fire
beating the monkey crap out of the rooms. With that however, Chen
only exasperates the situation causing more violence towards Japanese
on Chinese and vice versa.
Will this bring shame on their
collective houses? Can the conflict be resolved? Can't we all just
get along?
A quick observation from a Westerner.
The depictions of Japanese versus Chinese in this film is very
profound and both viewed each other as inferior beings. This staple
making the Japanese thugs and with their heirs on end makes them come
off as arrogant and heartless but at the same time I cannot speak for
how each people viewed one another at this time in life. The
Chinese are being shown stout of heart but suffering from the same
pig headed stubborn streak as well.
Now this was to take place at this
timeline early 19th century during the occupation but a
few goofs happened such as: Extras wearing 1970s clothing and
haircut styles, cars in the background parked in the distance and an
old school phonograph player playing which didn't exist until latter
19th century. The only reason I knew it was the timeline
portrayed was due to a narration of this struggle. Most of this was
shot in studio and a few exterior scenes so clearly it was a larger
budget than The Big Boss and nowhere near as violent but the message
showed two cultures not fully aware why they must hate one another.
Whoops, got to close to Bruce. |
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