Well folks, I'm back. Something
something headaches. Sorry it gets a bit repetive to type over and
again. So after the odd film earlier I thought I would dabble back
into the realm of Giallo and multi-genre director Sergio Martino
(Slave of the Cannibal God, Alligator, Don't Play with Tigers,
Screamers, Hands of Steel and 2019: After the Fall of New York)
handles today's film. This is Torso a.k.a. The Bodies Presented
Traces of Carnal Violence a.k.a. Carnal Violence.
Car problems? |
We open on an erotic photo shoot with
sleazy jazz for porno, a naked woman and man and some suggestive
placements for dolls. Eerie looking dolls. Not sure if they are
going for some interpretation of Dolly Dearest or they want to arouse Chucky but hey I never claim to understand every facet of
art. Ah good, it has devolved into a threesome or he's telling the
girls a secret...with his penis. Got it! Clearly a layout for
Hustler. Where the heck was my mind? I guess not enough in the
gutter for a change. Sorry a bit too much exposition there.
Journeying back after the carnal effects, we cut to an art history
exhibition and lecture. Um, because they're also nude? The
paintings not the class. That could be awkward.
Professor Franz (John Richardson
of Black Sunday, One Million Years B.C., On a Clear Day You Can See
Forever) and student Daniela (Tina Aumont of Texas
Across the River, Man, Pride & Vengeance, Satyricon, Sergeant
Klems and The Mechanics of Women) wrap themselves in a
philosophical and spiritual debate on the paintings of Perogino and
you can see the professor does have respect for her opinion. He
feels that Perigino's lack of religious upbringing meant he could not
possibly begin to delve into the immortality of the soul or the
effects of Christianity has on the populous. Murders now! I'm
having too many existential thoughts. Get to the murders.
Student Jane (Suzy Kendall of To
Sir, with Love, The Penthouse, Thunderball, The Bird with the Crystal
Plumage, Fraulein Doktor and Van der Valk) does her own
thang. Yeah I know I will pay for that. The red herring has already
planted as we are to believe it is the wanker in the neckerchief
(Stefano not Fred from Scooby Doo) who is the killer. The
foreshadow is fair but Daddy's not buying, kiddies. But enough of
that, next sex scene. Oh and in a Mini Cooper car smaller than the
Reliant Robin. Good God, this girl has to be limber for that. Hey
those breasts look real. I'm confused!
Maybe Makeout Murder Point wasn't the
best place for sexing it up but what do I know. After coitus, John
(Fausto Di Bella of A Tale of Love, Torso, Il messia, Escape
from Galaxy 3 and Computron 22) spots a ski masked perv
outside the Mini and beats cheeks to catch him and give him one for;
thus leaving his girl Flo (Patrizia Adiutori of Torso, Tales of
Canterbury, Play the Gale or Leave the Bed, Winged Devils and
Giovannona Long-Thigh) unarmed, outmanned and slasher bait.
Our killer has Jason Vorhees stealth capabilities and a scarf for
throttling. Serial throttler sounds like a chronic masturbator
though. Don't worry. A stabbing do happen and cut scene to morning
later we find John was no better off. Looks like he called Mike
Tyson a mediocre boxer.
Are we end an exposition shot? |
La polizia are hard at work. Inspector
Closeau er I mean Martino (Luciano De Ambrosis (Without Family,
Heart and Soul, Tomorrow is Too Late, Aretino's Blue Stories, Torso
and They Were Called Three Musketeers But They Were Four) is
dealing with this as best as his dubbed actor will allow. Sadly he
didn't get the all powerful voice of Edward Mannix but I digress,
it's still imposing.
Student Carol(Conchita Airoldi of
The Strange Vice of Mrs. Wardh, Torso, Deaf Smith & Johnny Ears,
The Cousin and Closed Circuit) can't stop eye banging the
mysterious doctor and his fondness of scarves. If she hadn't been
waved over by Daniela, I think she would have stalked the doc and
given him an afternoon delight (Ask your parents, kids).
The girls decide to take a break from
their classes and head to Daniela's Uncle's villa. Oh God I see
where this is going. Yup probably a sentient cave, mutations and a
demand for human blood. No wait, that was Sorority Girls and the
Creature from Hell. This could be classier.
Jane and the Professor (No Mary Anne
sadly) seem to hit it off very well. Dude you just made tenure,
don't go blowing it over a young girl. That kind of activity will
get you fired or killed. You're in a Giallo for crying out loud!
Shape up!
So can you strangle girls by the dozen with this scarf? |
Apparently the night time is the right
time for a prostitute. Our snobby and foppish art student Stefano
certainly believes that. Hmm I don't remember the conversion rate
from dollars to lira, plus this is 1973 and the exchange differs now.
Ugh fine I didn't want a prostitute anyway so JUST FINE! A bit of
darkness ensues but no more than you expect in these films.
Carol still has her heart or loins set
on the doctor as she keeps running into him. She also seems to have
the hots for Daniela's Uncle? Um Daddy issues? Carol gets high
with a couple of bikers and stumbles out in the worse kind of
blocking. The dreaded day for night. Ugh, hate that lens.
Carol's made some poor life choices but
I am sure it won't come back to haunt her too much.
With some amazing cinematography by
Giancarlo Ferrando (Erotic Exploits of a Sexy Seducer, Slave of
the Cannibal God, Loggerheads, A Policewoman on the Porno Squad,
Alligator, The Good Thief, Ironmaster, 2019: After the Fall of New
York and Warrior of the Lost World) and the handiest and
heaviest Eastman Arriflex possible. They are pushing at least three
cameras on this job so there is kitty in the coffers. The gore
effects are pretty solid, the story has a decent pace and the cast
are lovelies of both gender. Good suspense and tension is ratcheted
well.
Don't worry horn dogs, plenty of nudity
to go with your gore. It's Giallo for crying out loud. Going for
the whole POV into the psycho-sexual madman's mind and pulled it off
nicely. Of course any more sneers at kink and perversion from
society's stand point and I was going to assume this was the founding
fathers of the MPAA.
You're out of order!! ALL OF YOU!!! |
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