Monday, March 17, 2014

Post Apocalypse Week: Things to Come

Howdy all and welcome to the end of the world as you know it.  Day 1 of Post Apocalypse Week and I thought I would start us off right with some H.G. Wells of a different standing.  As many of you are no doubt aware of The Time Machine and War of the Worlds, our gentleman story crafter gave us a short story that should given us pause.  In 1933, Wells published a short story describing social and political forces and all the possibilities they ensue.  The title is The Shape of Things to Come, which many believe this is less a story and more of a discussion for many to delve into. The impact it had on the world screamed for it to be put upon the big screen so director William Cameron Menzies (The Iron Mask, Alibi, Puttin' on the Ritz, Our Town, The Devil and Miss Jones, Duel in the Sun and Invaders from Mars) took the reins of this wild horse and did his level best.  This is Things to Come.


Alright, one more present and then the war simply must start.


Roxana: I don't suppose any man has ever understood any woman since the beginning of things, You don't understand our spoilers.





Hailing from Denham Studios our movie opens with the impeding threat of global war during of all times, Christmas Day a successful businessman John Cabal (Raymond Massey of The Speckled Band, The Prisoner of Zenda, Arsneic and Old Lace, East of Eden, Seven Angry Men and Dr. Kildare) queries to himself and his guests of what is to become of their city "Everytown" if and when this war reaches them.  His naive friend Passworthy (Edward Chapman of Murder, The October Man, The Spider and the Fly, His Excellency and X: The Unknown) assures him with technological marvels excelling as they do, the social conscious will rise with it.

A dissolve later we see Cabal in a biplane shooting down an enemy bomber, land and pull that bomber from the wreckage.  They both reflect on the madness that is war while conversing through gas masks when they see a little girl running around the dilapidated streets telling them they are done for anyway as it was so matter of fact.    Cabal takes the girl to safety in his plane as he wonders what is to become of Man's civilization.
Decades past as the war continues to wage on that even the survivors have no idea why they are fighting and who is the enemy anymore. The world ends up in a new Dark Age.  With cities and towns in ruins and little to no technology to be found aside from a scant amount of firearms to continue the killing.


That was me. Sorry little girl.













By 1966, a plague is introduced by some unknown enemy using the last remnants of aircraft to spread this gas about.  Dr. Harding (Maurice Braddell of Master and Man, Men of Tomorrow, Flesh and Women in Revolt) struggles desperately to find a cure to save what is left of humanity in order to rebuild and start over but with little equipement to harness a vacine is found dead.

By 1970, a despotic ruler calling himself the Boss (Ralph Richardson of The Avengers, Richard III, The 300 Spartans, Rollerball, Watership Down and Time Bandits) reigns over most of Southern England and has ceased the plague by shooting those infected.   This tyrant was a little man that came to power simply by being in the right place and time as so many conquerors.


This film brings about some of our worst fears to light.  The Luddites against progress to those that are enslaved to technology.  From warring nations to the Big Brother mentality that is sweeping the planet.  It portrays the best and worst of humanity in every conceivable way and frankly was an audacious piece of work for its time and holds true to our time.

But the Morlocks come out at night good sir!

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