Ah the 1970s... They brought many
things. Muscle cars, disco, cocaine freaks and more shenanigans than
this particular blog is will be violate his PG-13 rating at. At the
same time we got eye-popping effects of Star Wars, bizarre lands like
West World and big budget-bloated blockbuster potential like
Damnation Alley (WHICH WAS NOTHING LIKE THE NOVEL!!!). Every so
often like most decades a film comes along that is heard by a few and
word is spread to their friends and so on. Imagine a monster as
horrific as Jack the Ripper hiding in a time-line as 1979, a larger
bustling metropolitan era which so many willing victims and only his
once time friend Herbert George Wells can stop him. This is Time
After Time.
My word, women are more abrasive. |
Writer/director/producer Nicolas
Meyers (Invasion of the Bee Girls, The Seven-Per-Cent
Solution, Time After Time, Star Trek II: The Wrath of Khan, Star Trek
IV: The Voyage Home and Voices) brings us the concept of H.G.
Wells (Malcolm McDowell of A Clockwork Orange, Voyage of the
Damned, Cat People, Wing Commander III: Eye of the Tiger, Tank Girl,
Halloween and Halloween 2) a brilliant writer showing that he
is also a brilliant inventor creates a vehicle that can transverse
through time itself forward or backward in time and gave a detailed
explanation to his chosen friends and while they remain skeptical,
they are intrigued.
As everyone makes their way back to
the drawing room, a knock at the door has several police constables
arriving at the house in search of Jack the Ripper. With a satchel
of John Leslie Stevenson, a friend of Herbert's and talented surgeon
filled with blood-stained gloves everyone is convinced that Stevenson
(David Warner of The Wars of the Roses, Straw Dogs, The Omen,
Time Bandits, Tron, The Company of Wolves, Waxwork, Star Trek VI: The
Undiscovered Country and In the Mouth of Madness) is in fact
the Ripper when Wells has the awful thought, rushes to his basement
to find his time machine is gone, as is Stevenson.
Mind if I cut in? |
Having escaped into the future,
Stevenson explores this fascinating new world of America in the form
of San Francisco, makes a few exchanges of currency (yet no one asks
questions on his pounds being roughly 86 years old) and proceeds to
the nightlife of disco nightclubs with potential victims galore. Oh
the possibilities. Because Stevenson did not have the “non-return”
key on his person, the machine automatically returned to 1893,
allowing Wells to go trailing after Stevenson's last known
co-ordinates.
Wells is stunned as he leaves the
machine at a display in the San Francisco museum to find not the
enlightened utopia but cars, planes overhead and a substantial
history of wars, crime and bloodshed the likes he could not have
imagined. Deducing Stevenson would require coin of the realm, Wells
asks about for banks offering such exchanges and makes his way to the
Chartered Bank of London, meeting the lovely Amy Robbins (Mary
Steenburgen of Melvin and Howard, Ragtime, End of the Line,
Parenthood, Back to the Future Part III, The Butcher's Wife and
Nixon), a liberal gal that takes a bit of a shine to Wells in
spite of him being proper and quite stiff.
Wells finds Stevenson and demands his
return to 1893 to accept justice. The two struggle when they are
interrupted by some random passersby and Stevenson bolts only to be
hit by a car. Is that the end of Jack the Ripper? Could he have
survived this automobile accident? What will Wells do if he
encounters him again?
A few fun facts now if you don't mind
and if you do, well shush I am writing them up anyway.
This is Corey Feldman's film feature
debut as a bit part of a child in the museum. All three of H.G.
Wells' children were still alive at the time of this film's release.
Malcolm McDowell fell for Mary Steenburgen during the filming of this
movie and the two married for ten years and have two children,
Charles Malcolm and Lilly Amanda. Nicolas Meyer originally wanted
Edward Fox (The Day of the Jackal, Gandhi, Never Say
Never Again and The Bounty) as the Ripper. At one point,
Mick Jagger expressed interest in playing this heartless criminal but
Meyer couldn't quite see Jagger pulling off the sophisticated
surgeon. Sorry Mick, you can't always get what you want.
Advancements in dental hygiene fascinate everyone! |
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