The Ridley Scott week chugs on through with what I believe
to this date still are an amazing hybrid of Film Noir and Cyberpunk
standings. A utopia for some and desuetude
for others, the colonization of the other worlds of our solar system and the
problems back home. So get a packet of Twizzlers, maybe some
nachos and an oversized drink (Take that New York!) and settle in a nice easy
chair. This is Blade Runner.
I’ve seen spoilers in
glitter in the dark near the Tannhauser gate…
In 1982 capturing the writing of critically acclaimed
science fiction writer Phillip K. Dick’s
story Do Androids Dream of Electronic Sheep, a notion that machine could never
be as emotional as man, have a series of moral decisions that were taught nor
could they develop ideas of their own came writers Hampton Fancher (Of Men and Women, Survival, Police Story and
The Other Side of the Mountain) and David Webb Peoples (Ladyhawke,
Unforgiven, Hero, Twelve Monkeys and Solider) adapted the novel of
question and create a world of robotics, human angst and distrust of
corporation. While this being truly a
product of the 1980’s trend this film will stand the test of time due to this
solid writing not relying solely on the day’s lingo, attitude, strives and
failures.
Our story unfolds with a credits sequence explaining the
dangers of a of androids called Replicants that have a tendency to feel like
nothing more than slaves to their human masters. Being 3 times as strong, fast and intelligent
they rebelled and were deemed faulty for such.
Earth passes a law creating a separate police force to contain, detain
and execute them. They are the Blade
Runners. During a routine background on a sanitation
worker named Leon (Brion James of 48 Hours, Nemesis, Time Runner, Tango and Cash, The Dark
and The Player) from a detective Holden (Morgan Paull of Patton, Norma Rae
and Fade to Black) and the interview ends with Holden being put in the
hospital and cut to Rick Deckard (Harrison Ford of Star Wars, Raiders of the
Lost Ark, Patriot Games, Regarding Henry and Cowboys and Aliens) having
his sushi only to be interrupted by a detective Gaff (Edward James Olmos of Miami Vice,
Stand and Deliever,Roosters, Mirage, 500 Nations and Battlestar Galatica)
and leads him back to his former Lieutenant Bryant (Veteran character actor M. Emmet
Walsh of Blood Simple, Critters, The Flash, A Time to Kill, Albino Alligator
and Retroactive) an old fashioned cop in the worst way telling Deckard
he needs to come out of retirement because he is the best Blade Runner that
ever was to take out 4 of the Nexus 6 Replicants, a few combat models and
pleasure droid. Reluctantly Deckard is
back in harness and on the case.
Stopping at the Tyrell Corporation, the creators of Replicants he does a
pre-cursory examination and fact finding check with the head honcho Dr. Eldon
Tyrell (Joe Turkel of The Killing, Path to Glory, The Shining, The Commitment
and Miami Vice) to get some insight to the mind of the Nexus 6
series. A computer program reliable to
detect human from replicant is administered to Dr. Tyrell’s assistant Rachel (Sean
Young of Stripes, No Way Out, Hold Me, Thrill Me, Kiss Me, Fatal Instinct and
Mirage) to verify a positive before a negative as the doctor says.
The tinny and melodic number of this film captures the
essence of the film. The overall mood
and life of it comes from the narrative of Ford’s character like a shamus of
old telling the tale through his eyes and once again Scott develops the film
with the mood lighting, smoke ridden sets and suffocating amounts of humanity
representing overcrowding, the need for colonization to expand the human race
elsewhere due to the Earth filling up with people. Most animals are artificial and real ones are
deemed a luxury item for only the well do to or wealthy.
During this time the replicants’ leader Roy Batty (Rutger
Hauer of Nighthawks, LadyHawke, The
Hitcher, Wanted: Dead or Alive, Blind Fury, Past Midnight, Split Second, Salem’s
Lot and Batman Begins) is attempting to gain access to Tyrell as well
for a longer life span than the allotted four year lifespan. He is the true survivor of this crew. The epitome of Nietzsche with a smattering of
Descartes, the others will follow him into the gates of Hell itself because
this being made know a way through. Through numerous re-releases the 2007
director’s cut adds additional footage that was cut out due to it being too lengthy
but I personally enjoy the theatrical release for its purity in it was the
first version I saw.
So if you are
watching this film for the 50th time or the first time, just let it
wash over you in whatever version you see.
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