Showing posts with label cops. Show all posts
Showing posts with label cops. Show all posts

Monday, June 1, 2015

David Tennant Week


Hello and welcome back to the dark recesses of my mind. Last week I went AWOL(Absent WithOut Leave) due to the fact of trying to find a decent at home job. However, the great state of Nebraska is so greedy and myopic with view they have annexed many an at home job offers away that it is very difficult to find something with decent hours and fair pay. Y'know, like any other job market out there but worry not because we shall carry on regardless.

OooOo sat on myself.  Stings a bit.













This week I have chosen an actor to follow and hopefully I can drill it in the heads of several Americans that the fellow in question has done more than one character on TV as well as a few movies. He is an acclaimed Shakespearean actor that has starred in several plays, one of which was Much To Do About Nothing with his co-star Catherine Tate. He has played legendary debaucherous and decadent Cassanova to a hardened Detective Inspector Carlisle. He has been in Doctor Who for more than 4 years including two animated movies and a video game.

Voice work also allowed him to children material such as The Pirates! Band of Misfits, How to Train Your Dragon and Star Wars: The Clone Wars. I speak of none other than David Tennant. This week we shall see the famous 10th Doctor in other roles of both past and present. Okay so it is a bit of a time lord feel but sue me, it is the easiest look for me to cosplay.


That being said, let's start the week right. Allons-y!!

Just establishing I have more female and male fans panting over me, Matt.

Monday, December 10, 2012

Assault on Precinct 13..No Hawkes allowed.


Back again kiddies and I can just tell you are all giddy at this.   Hey how about an action movie shot in locations like Watts, South Central L.A. and Venice Beach back in the early 70’s?   From a vicious gang against a finite amount of police in the area, this flick gets intense.   So grab a seat, a few snacks and relax.  This is Assault on Precinct 13th.

Spoiler!  It’s a godd*mn spoiler!

Yes, I am referring to the original film of 1976 under Carpenter's reign vs the loosely based remake of 2005.  A less than typical film with its flaws and imperfection that show the beginning of Carpenter’s film process and from this show the sense of style he is most commonly known for.  John Carpenter has lucked out in locations more times than one can count.  Venice Police & Fire Station Division 14 was scheduled to be demolished, armed with only a budget of $150,000 and the film was shot in all of 20 days.  An ambitious re-creation of Rio Bravo, down to the camera angling to anamorphic shots felt like a project worthwhile.

Our story opens with a sting takes out a series of gang members in a bloody gunfire. Cannot even imagine how many shots fired forms they were filling out.  The surviving gang members swear in blood oath that vengeance will happen.  Lieutenant Ethan Bishop (Austin Stoker of Battle for the Planet of the Apes, Horror High, ‘Sheba, Baby ‘, Roots and Machete Joe) a recently promoted officer is scheduled to Precinct 13. A station being torn down, paperwork and supplies shipped to its future location.  While this is not the best gig, it is Bishop’s first assignment as a Lieutenant and he will see it through.
Meanwhile in Los Cruzes, a notorious criminal named Napoleon Wilson (Darwin Joston of Eraserhead, The Fog, Coast to Coast, Time Walker and Airwolf) is being transported in a bus on his way to death row by Starker (Charles Cyphers of Halloween, Halloween II, Escape from New York, The Fog and Grizzly II: The Concert)


Back at the precinct, Bishop meets the remaining staff, desk sergeant  Grumpy McStereotype, filing clerk Leigh (Laurie Zimmer of American Raspberry, A Dirty Story and Survival of Dana) and dispatch operator Julie (Nancy Kyes of Halloween, Halloween II, The Fog, Halloween III, Not in Front of the Children and Lady Boss)
One of the inmates on the bus is violently ill and the only station in route is Precinct 13, with that the bus pulls in assessing the situation and hope they can lay aid to the sick man.

Blocks away a father takes his daughter with him in order to scoop up and move her nanny (Oh Mr. Sheffield) in with them.  Driving a high end Cadillac in South Central L.A. under the influence of being a dumb white guy this could get a bit dicey.


A shoot out later the father makes his way to Precinct 13 to safety but the combined forces of the gang follow him with their ill-gotten gains from a heist of the National Guard Armory depot, they have enough firepower to level six maybe seven city blocks.  Equipped with silencers, the lack of neighbors in the rundown area and barely any public safety of any sorts the members of the precinct, two prisoners and the remaining transport troops have to hold off this mass army of lunatics until help arrives.  


The dialogue gives the feel of a B-movie and this is Carpenter’s second film after Dark Star in 1974. Fewer dolly tracked shots and more hand held you really had to feel for those poor cameramen breaking their backs.  Given its fairly violent nature and penchant for shock and awe, this movie does invoke fear and dread for the decent folk trying to live through the night and almost seething hatred for the gang members.  In my humble opinion a gem that gets overlooked.

Wednesday, November 21, 2012

Night Man: Man of...well night mostly.


Hey kiddies, thought I would drop by with another TV series review. Yeah, I was feeling up for it.   So grab a seat, a refreshing soda and kick back.  This is Night Man.

Spoilers have secret identities too…

Ill-fated comic book company Malibu Comics creates a realm known as the Ultraverse; a land with heroes and heroines of science and magic alike.  Mutants and super powered beings roam this world until Marvel Comics bought them out in 1994.  The idea was to capitalize on this new bastion of characters and incorporate them into the existing Marvel Comics universe.   But hey who gives a crap about that?! 


Today we are talking about Glen Larson’s (creator of Magnum P.I., Knight Rider, Quincy, M.E., The Fall Guy and Manimal) adaptation of Night Man made for two seasons.  Loosely based on the comic book character, Johnny Domino, an accomplished saxophone player and former martial arts instructor is struck by a lightning bolt in a freak accident involving a cable-car and attempted political assassination.  Johnny (Matt McColm of Night of the Warrior, The Adventures of Brisco County Jr., The Protector, Space Cowboys, Baywatch and The Matrix Reloaded) discovers after this bizarre trauma that he is telepathically able to recognize evil.  After being released from the hospital and an attempt on his life he encounters Rollie Jordan (Derek Webster of Stargate, Independence Day, Godzilla, Mental and Damages)a brilliant engineer who is of four men that created high tech body armor and weapons for the Department of Defense only to have their project gutted due to budget cuts.  Wanting to hold onto their jobs and reputations, they decide to move the armor into law enforcement only to find out the prototypes are being auctioned off to foreign powers and possibly terrorist cells.   With the aid of his father Frank (Earl Holliman of Forbidden Planet, Police Woman, Hotel de Paree and The Wide Country) former Bay City officer the trio tries to intercept the bad guys and rein in the cops for assistance.  

  Johnny feels the cops won’t arrive into time and uses the prototype armor which consists of: a poly-weave Kevlar and Nomex hybrid, an anti-gravity flying belt, a holographic woven cloak that allows him to be rendered invisible, an optical lens that sees every spectrum of light and doubles as an offensive laser beam.

Okay the storyline is a bit hokey, the cops are a trifle inept and frankly the fact that Johnny manages to keep his identity secret at all is something of a miracle.  The concept of a vigilante striking out on crime by his or her lonesome is not an original story but that jazzy saxophone intro you will NOT get out of your head.  This show is a bit of a guilty pleasure and yes for the haters I shall hang my head down for this.   Similar to the Flash’s production, this show had potential to continue fairly well but alas the dreaded Nielsen ratings felt this show was not up to snuff and after only two seasons it went away like a puff of smoke.  This rating board also thinks such shows as Road Rules and Jersey Shore are worth your time so keep that in mind and hey at least check out the pilot if you are interested.