Hey folks welcome back to The Original
and to be honest; the first time I saw this was an French film shot
in Italy, my brain went to Giallo murders, post-apocalyptia and
zombies but that is because I have reviewed a lot of crappy movies.
Instead director/writer Edouard Molinaro
(Back to the Wall, The Road to Shame, A Mistress for the
Summer, A Touch of Treason, Agent 38-24-36, Male Hunt, To Commit a
Murder and Beaumarchais the Scoundrel)
has more of a tounge-in-cheek sense of humor even in his serious
works. So before Robin Williams and Nathan Lane took this particular
film in hand, came its predecessor. This is La Cage aux Folles.
No close-ups, darling. My pores are huge. |
Renato
Baldi (Ugo Tognazzi of Dino Risi, La Grande Bouffe, My
Friends, Traffic Jam, Sunday Lovers, Tragedy of a Ridiculous Man and
All My Friends Part 2)
holds his cabernet/drag club shows in St. Tropez along with his
partner in every sense of the word Albin(Michel Serrault
of Diabolique, How Do You Like My Sister?, How Not to Rob a
Department Store, The Double Bed, The Boss of Champignol, Order of
the Daisy, Call Me Mathilde and Have Mercy on Us All)'s
world comes to a crashing halt when the lad they have raised
i.e.their son Laurent (Remi Laurent of Let's Get Those
English Girls, La Cage aux Folles, Cinema 16, All Stars, Les Plouffe,
La cassure and Bankers Also Have Souls)
tells them he is engaged to be married. Renato is taken back,
aghast at his 20 year old son's plans of nuptials but he too
understands like any parent what it is like to be in love.
Surprisingly he takes the news fairly well. I almost expected a
champagne bottle to crash out of his hands. Perfect timing for a
sight gag but I guess it was not meant to be.
The Softer Side of Ron Jeremy. |
The
young lady of Laurent's dreams Andrea (Luisa Maneri of
The Private Lesson, The Last Round, La settima donna, La Cage aux
Folles, Body Count, They Call Me Renegade, Il gatto nero, Casablanca
Express, The Wicked and Gli asssassini vanno in coppia)
fairs far less than her boy as her moral and upstanding political
father Simon (Michel Galabru of The Pawn, La Cage aux
Folles, Heart to Heart, The Troops & Aliens, Cop or Hood, It All
Depends on Girls, The Miser, I'm Photogenic and The Under-Gifted)
is ready her the riot act on how she is just a child, she should have
never gone to Paris and so on. With an awkward phone call with
Laurent and Renato, Andrea tries her best to avoid the subject, the
white elephant in the room...something to the tune of oh right,
Laurent's parents are gay and run a drag show. Desperate to keep
things hidden, Andrea says Renalto is in the arts. Cultural Attache
to the Italian Embassy to be exact and that Albin is a housewife.
Exactly, the prostitute could have been male as well. |
Well
you know how this gag works, Laurent asks his father and mother to
play along with the ruse, the bit of subterfuge and naturally like
clockwork it blows up in everyone's face but can they right that
which was wronged and the kids get married regardless of the parents'
opinions of one another?
Now
what separates this from The Birdcage is the following: The amazing musical scoring brought by legendary composer Ennio
Morricone (Once
Upon a Time in the West, He and She, A Fist Full of Dollars, For a
Few Dollars More, Navajo Joe, Danger: Diabolik, Cold Eyes of Fear,
The Fifth Cord, Devil in the Brain, Inglourious Basterds and The
Hateful Eight) simply
breathes life into every scene from the ominous score to disapproving
father and mother to the light-hearted chores of the day for Albin.
It in itself feels like a character of the show.
Ugo
and Michel's chemistry and the way they play off each other feels
more believable and wholesome. The neighbors don't simply accept
that they are gay but it is an every day thing. It feels less taboo
and frown upon in this 1978 film then the uptight take on it 18 years
later in the States. Wake up America! Michel Serrault's prima
donna is vastly more believable than Nathan Lane's performance but
that is my take. This felt less slap-sticky and just more of a romp
of humor and situational humor. Now don't get me wrong, I love The
Birdcage but maybe for all the wrong reasons. I loved that Nathan
Lane and Hank Azaria were way over the top and I realized that seems
a pretty askew way of viewing something as simple as gay men. Robin was of course simply brilliant but was it merely his improv and then later drama? Not sure now.
La
Cage aux Folles feels like the real mccoy but The Birdcage is chaotic
and a bit campy.
For
the love that is all holy get the French version with English
subtitles. Their inflections from joy, anger, sorrow and zany is
completely worth it. Run away from the English dubbed because
several of the jokes just get lost in translation. Not a big
surprise there.
Michael Caine got weird in the 70s. |
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