Back again kiddies! Yeah you missed
me. I can just sense these things. So I held a poll on two movies
both post apocalyptic and apparently plague based zombies. Clearly I
won? I guess. So today we concentrate to Daylight's End.
Winter Soldier? Bucky? BUCKY!!! |
Directed by indie director William
Kaufman (The Prodigy, Sinners and Saints,The Hit List, One
in the Chamber, Jarhead 3: The Siege and Murder Made Me Famous)we
open with an out stretched road POV shot, I am reminiscent of George
Miller's Mad Max. A lone wanderer (Cue Fallout theme)
makes his way to an abandoned gas station in a steel meshed covered
Plymouth. I think it might be a Superbird. He makes his way in for
supplies when he comes across a massive freezer, which he shoots
letting in sunlight to fry the zombie/vampire? So these blood
thirsty creatures are bringing me back to Last Man on Earth or
I Am Legend. A gathering of exposition and visuals
throughout the credits opening explains the outbreak of this
apocalypse.
He heads into a wayward, abandoned
house and cleans house. By himself. Three of these dead bastards
were kind of terrifying and jump scares were limited. THANK GOD!
On his travels he sees a police squad
car be accosted by the vambies. Zompires?
Anywho, the contents of the car is
people and has been murdered and closer examination the group is
actually armed humans. Our mysterious stranger dispatches the
marauders efficiently.
Well it's no Mad Max ride, but not bad. |
Our bad ass protagonist helps the lone
survivor, Sam (Chelsea Edmundson of Killer Eye: Halloween
Haunt, Camera Phone, Gangster Squad, Bloodsucka Jones, Isolation and
Joe Bonamassa: Drive) who invites her savior named Rourke
(Johnny Strong of Get Carter, Black Hawk Down, The Fast and the
Furious, Sinners and Saints and Cold Brook) for safe harbor
along with food, supplies and ammo. A girl the groupof marauders
abducted, Annabelle (Farrah White of Miss Congeniality, Single
and Dealing with It, Hate Crime, By the Devil's Hands, The Locker,
Lunch Break and About Mom and Dad...) is lacking oars in the
waters so of course Sam wants to take her along. They hop in his car
and make it deep into the midtown of once was Dallas. Um go Cowboys?
They narrowly make their way into the old police station.
Journeying in the police station, Rourke
encounters leader of this group, Bishop himself (Lance
Henriksen of The Terminator, Aliens, Near Dark, Pumpkinhead,
Millennium, Scream 3, AVP: Aliens vs Predator and Hellraiser:
Hellworld) known as Frank Hill. With a massive steel sliding
door keeps the zompires at bay. Naturally Frank, his boy Ethan
(Louis Mandylor of Martial Law, Price of Glory, Relic Hunter,
Sinners and Saints, Sorority Party Massacre, Jet Set and Code of
Honor) and former Dallas Cop Chris (Hakeem Kae-Kazim of
Grange Hill, Critical Assignment, Hotel Rwanda, Pirates of the
Carribbean: At World's End, The Jinn and The Bourne Conspiracy)
don't trust outsider Rouke, so they lock him in a cell, after confiscating his weapons. Dude, trust me. This cat could snap
necks pretty easily but Rourke agrees to it.
The Vambies (Zompires?) get around at
night but seem to actually doing some rudimentary thinking instead of
just being scavengers or hyenas on the kill. They seem to follow a
beast of a man known only as the Alpha (Former UFC fighter
Krzystof Sosynski of Here Comes the Boom, Tapped Out, Hidden in the
Woods, Daylight's End and Logan). Evolution occurs
everywhere, folks and even in disease and this big boy is the apex
predator.
Jeez, does no one sew in the Apocalypse? |
Frank realizes it's only a matter of
time before these bad boys and girls come smashing in and slaughter
them all. Frank tells Rourke they need to regroup, grab some wheels
and get everyone out of the area. Rouke is more determined to
eliminate the threat of the Alpha during the day. Clearly something
personal between the two, not that Rourke is forthcoming with that
info.
Keep in mind, the budget is not huge,
the musical score is done by our protagonist, and we have a very
capable cast and crew. Yes, yes this is YET another post apocalypse
but there is nowhere near the gore and rape scenarios of the Mad Max,
2019: Fall of New York or Book of Eli. While this is not an
original idea, I like what you take away from this film.
The writer Chad Law (Hero
Wanted, The Hit List, 6 Bullets, Isolation, Jarhead 3: The Seige,
Beyond Valkyrie: Dawn of the 4th
Reich and Sinners and Saints: Vengeance) has a solid
understanding of Action genre and Stuntman/fight choreographer Ron
Balicki (Barb Wire, Escape from L.A., Point Doom, Resident
Evil: Apocalypse, The Prodigy, The Sensei and The Dark Path
Chronicles) broke down weapons handling, hand-to-hand and
knife fights pretty damn well. The choreography feels like the
Bourne series or Burn Notice...granted with zombies and scumbag
humans against our survivors.
Strong's physical performance alone is
worth going on about. The guy is doing Urban Warfare, sweeping
through room to room and putting as little weight on his feet to give
his position away. The camera captures all of this and it feels
real. Continuity goofs? Well a few. Car windows were shot out and
then reappeared whole, some magazines seem to have infinite ammo and
not enough reload time between rounds and for some reason Frank's
stirring speech, his hat kept disappearing and reappearing throughout
it. That being said, this is a decent flick. Plenty of action and
story to keep most folk interested and yes ladies I am sorry to say
at least one rape scenario but no skin, just the fear. An attempted
one if you will, and our hero goes sick house on these skells.
It's graphic, got very few lull moments
and keeps a good steady pace. Yeah I was impressed and I say, "Go
Indie film makers!"
THE CUBS WON THE PENNANT!!! ANARCHY IN THE STREETS!!! |
No comments:
Post a Comment