Showing posts with label thriller. Show all posts
Showing posts with label thriller. Show all posts

Wednesday, October 4, 2017

Women in Prison...Again: The Concrete Jungle


Hiya guys and gals and welcome back to the week. Yup more Women in Prison films..whoopie...Goldberg. So shocking an innocent girl gets jailed in prison of a drug offense carrying decent weight worth of cocaine. Yeah color me shocked that they threw the book at her. 
 This is The Concrete Jungle.



Your gun is digging into my  hip.














With a lovely skiing holiday coming to an end, Elizabeth (Tracey Bregman of The Funny Farm, Days of Our Lives, The Young and the Restless, Happy Birthday to Me, The Bold and the Beautiful, Sex & Mrs. X, Spyder Games and Low Lifes) is head over heels for her swell guy, Danny (Peter Brown of Lawnman, Laredo, One Life to Live, Loving, JAG, The Wedding Planner, Hell to Pay and Three Bad Men). Well he asks of Liz just one favor. To make sure his skis make it back into the country with no issues. Given how much flake is riding in those skis, Danny convinces her that the cops would never look twice at such a pretty, innocent girl and it will only be this one time. No truer words were spoken as the cops snag her at the airport with skis in hand. Rather than working with the kid and seeing if she is part of an outfit or maybe working for Mr. Big they just toss her springy ass into jail. Now that is a lazy cop and justice system. You could have actually tracked her whereabouts and cross-referenced with Interpol but nah, much easier to lob a kid into the jug.


Methinks she may have been in too long.














Well you know the score. The warden reads her the riot act and tells her to not rock the boat. Warden Fletcher(Jill St. John of The Lost World, Tony Rome, The Roman Spring of Mrs. Stone, Diamonds Are Forever, Out There, The Player, The Trip and Northpole) tolerates no insubordination but has to keep wary of the prison's alpha, Cat (Barbara Luna of Ship of Fools, Star Trek Mirror, Mirror episode, The Devil at 4 o' Clock, Hunter, Dragnet, Mission: Impossible and The Sandra West Diaries) a tough as nails yet easy on the eyes hellion who gets what she wants or who she wants. The coke deals go down through the prison and on to the streets. Cat blurts this out trying to nail Elizabeth that even the Warden is bought and paid for.



Yes, I am a Bond girl.














None of this can be proved as there is no paperwork, trail or any direct evidence proving her hand is in the cookie jar. Elizabeth volunteers to get her on tape, has to fend off guards sodomizing her, convicts trying to jump her or kill her and justice seeming far far away.

With the evidence piled up, no one listening to her, Elizabeth has to get tough. Yeah we have the cliche' rapey guards, the prison doctor with a heart of gold and multiple bunk and shower scenes. WooOoO something new there. Reminiscent of Chained Heat but not as well scripted, our film has all the tropes of the lesbians in jail, forced bisexuality, monstrous guards and hosing all the girls down during a riot.

Will Danny get pinched? Will the Warden face incarceration herself? Can the system be fixed?


Budweiser and cocaine: Breakfast of Sleazebags.

Now considering the subgenre, the acting is decent, the scenes are shot very well but the subject matter pisses me off to no end. How many of the same film has to be made over and over? Technically you could say that about every genre out there but for crying out loud, people.

Okay, rant over. You actually feel Elizabeth's desperation for survival, the villains are a bit over the top but having had previous examples of this, that fits the film well. Directed by Tom DeSimone (Chatterbox!, Reform School Girls, Hell Night, The Big Easy, Dark Justice and Swamp Thing) on a budget of 700k, this smut fest brought in over 11 million so yeah you can say it is successful. Simple formula of good girl stuck in a madhouse of bad girls and a corrupt system is easy enough to produce. I guess I could put this up there with Caged Fury and Chained Heat but not sure if that is the bar you need.  Incidentally no trailer due to I couldn't find one Safe For Work and others under 18.



Damn, that is a serious stare down.




Monday, October 2, 2017

Women in Prison...Again: Caged Fury


And we are back big, bold and brassy. Welcome back to the blog folks and some of you...I won't be talking to. As it has been a request to do more Women in Prison flicks I am begrudgingly doing just that. Today's opus contains inmates being forced to wear lingerie and pass "favors" to the warden for early parole options. No board committee, apparently you just get freaky and your sentence gets lightened. This is Caged Fury.


Breasts? er um I mean Beer?














Shot in the Alabama Hills in Lone Pine California, hive of scum and villainy to the prisoners is never seen to the outside world what lengths the girls must go to survive. One girl can't take it any longer and somehow dug a way into the air ducts that has more room in it than Bruce Willis got in Die Hard. Seriously he could have had a ruck sack, a rifle, canteen and sidearms traipsing through this.

Blonde Escapee (Kascha of Hawaii Vice 2 through 8, Backdoor to Hollywood 6 and 7, Nina's Toys and Boys, Kascha's Days and Nights, Fade to Black, Girls of the Double D 5 and 8) you would think they could have given her character a name, dammit. So rather than alerting this escape, the poonhound higher ranking guard Spyder (Gregory Cummins of Cliffhanger, Last of the Dogmen, Evil Eye, The Italian Job, Bones, NCIS: Los Angeles and Bosch) slaps the guard assigned to watch the cellblock and pops a straight razor to slash his throat. Sensitivity training is coming your way, bubba.

Head Guard (Paul L. Smith of Popeye, Pieces, Dune, Midnight Express, Red Sonja, , Crossing the Line, Desert Kickboxer and Maverick) tends to Blonde Escapee and teaches the girls a lesson in why it's good to fall in line. He may also need to attend a sensitivity training class, or y'know be shot. Whichever works best.


Uh oh Bluto looks horny! Duck and cover!!














We pan shoot around a large ranch area meeting the Collins family. With Kathie (Roxanna Michaels of The Newlydeads, Baja, Glitch!, Playboy: Tales of Erotic Fantasies, David and Lola and Bikini Seasons 2) as her little sister Tracey (Elena Sahagun of Marked for Death, Stigmata, 44, Teenage Exorcist, Firetrap, Tremors 3: Back to Perfection and Magic Man) embarks to move out of the house to L.A. away from that awful, controlling Dad (Michael Parks of Walker, Texas Ranger, From Dusk Till Dawn, Wicked, Kill Bill: Vol. 1, Kill Bill: Vol.2, Deathproof, Planet Terror, Street Poet, Red State and Kill Bill: The Whole Bloody Affair). Oh Dad, you're just too old to get this free spirit. Tee hee. Well Dad is handling this as best as he can but he does raise his concern of bad people doing bad things.

A hitchhiker Rhonda (April Dawn Dollarhide of Party Favors, Caged Fury and Dark Vengeance a.k.a. Warforce 3000) as to bail on her ride given he is trying to jump her. She and Tracey make their way to L.A. without a montage. Bit of a let down. Expected some tossing of Cheese Puffs or soda guzzling and a sing along with the songs on the radio but I move on.

Yeah yeah I know. Who are these people aside from Michael Park? What is the point of the film? Will there be shower scenes and so on and so forth. Well relax a damn minute and I will clue you in.

Off to the strip for some lukewarm rock, jiggling and debauchery. God I sound like an old man as I write this but that band was limp. Even Fred Durst would have walked. Meanwhile ex-stuntman Victor (Erik Estrada of ChiPs, Guns, The Modern Adventures of Tom Sawyer, Shattered Dreams, The Bold and the Beautiful, Chupacabra vs. The Alamo and Viturous) is looking to get a creep off of a buddy of his.


The night comes to a crashing halt as the bar bust ends in a fist fight via Victor and his buddy with action mullet Dirk (creator of American Combat Karate and martial artist Richard Barathy) trash the Rainbow Room from the looks of it.

Lulu (Janine Lindemulder of Moving Target, Lauderdale, Caged Fury, Hidden Obsessions, The Coven, Blonde Justice,Killer Looks, Way of the Dragon and Pirates) a hard rocking club girl having a good old time and was a hand in the bar fight herself.


Ewww.  Rat poop. Grody.














This "shoots" set up are shockingly enough involve around porn. Go figure. It seemed more on the up in up. The girls get scooped up due to the porn kingpin was tired of their bitching and whining so off to the gray bar hotel. The prosecution breezes through the charges claiming Tracey was a prostitute offering herself and...this is really blown out of proportion. The hearing is flashing after sentence so you know that went well.

The Warden Sybil (Mindi Miller of Hell Up in Harlem, Body Double, Amazons and Deadly Embrace)suffers no fools, gives the lay of the land (PUN INTENDED!) and tells the new inmates of the chores they can do to lighten their sentence.

Detectives Stoner (character actor extraordinaire James Hong of Chinatown, Bladerunner, Big Trouble in Little China, Merlin, Wayne's World 2, The Shadow, Mulan, Bladerunner video game, Spawn, Jackie Chan Adventures and RIPD) and Elston (Hugh Farrington of T.J. Hooker, Arizona Heat, Airwolf, The Terminator and Caged Heat) look into Tracey's rushed arrest and there is none on the books. Like she wasn't even charged or processed.

Feeling something's hinky between the jail and the porn kingpin so it's time for a montage??? Nah they just start investigating but hitting the streets and contacts a little rougher.

Will Tracey be locked up indefinitely?? How the hell would a prison get away with this?? And why does Paul Smith speak his lines so softly?





So the crux is young girls goof and get used and abused. Crooked system, crooked guards and warden. Seen it. This is not Chained Heat, folks. Never thought I would be using that as a base of comparison but there it is. The creativity is there but not a lot of follow through. This doesn't feel like the prison isn't being observed and even if it wasn't, um California taxes pay attention if not just the justice system. The warden will have pay for all the lingerie plus her bondage outfits and boy that does show up on a credit card purchase. Not sure the theme is either reform school girls or wayward girls. No real direct distinction.

Is it a thriller or is just an excuse to parade girls around in Fredrick's of Hollywood apparel. Primarily this is a sex slave scenario of millionaires blowing into town, porking away on their dollar and off they go. There is some actual drama between Tracey and Rhonda as they have each others' backs but the tropes are a bit heavy in this one. And the warden is channeling her inner Dyanne Thorne of the Ilsa She-Wolf series. Hell her name is Sybil Thorn which many believe a nod to both Sybil Danning of Chained Heat and Dyanne Thorne of Ilsa, She-Wolf of the SS.

Exterior shots aside, my God California is some gorgeous country. From mountains, the desert and the forests, you forget how much of this nature beauty is there. Run time is 95 mins normally but there is an 85 min version.

Not my cup of tea but it has an audience somewhere and certainly not the darkest WIP film I have seen.

Critters 3 got kinky.





Wednesday, October 26, 2016

Random Titles: Sorceress


Hey folks. Sorry for being AWOL from the blog. Got a head cold and it doesn't feel like it will be gone by tomorrow. So looking through my collective written reviews, I have noticed the lack of erotic thrillers aside from the few giallo films. High time that gets corrected, wouldn't you say? I mean I could be watching a Hepburn and Tracy flick but nah, that would be far too classy for this blog. So after a bit of debating I decided on a familiar name in such for horror and sci-fi fantasy, one director came to mind, Jim Wynorski (Chopping Mall, Not of This Earth, Deathstalker II, Alabama Jones and the Busty Crusade, Busty Cops, Komodo vs. Cobra, Dinocroc vs. Supergator and Piranhaconda). Now I have been mean at Wynorski and not even sure if he would care for an apology as most of my writing is in humorous content but you do have to admire his ability to do what he can with a limited budget, finding some of the most unusual collective of people to work with, not to mention some of these scripts must read insanity until it makes its way on screen.
This is Sorceress.

Black Magic Woman...















So as our film opens we are greeted by...boobs apparently. Yup a powerful witch/housewife Erica Barnes (1993 Penthouse Pet Julie Strain of Penthouse Satin & Lace, Fit to Kill, Psycho Cop Returns, Bikini Squad, The Dallas Connection, Day of the Warrior, Guns of El Chupacabra, Heavy Metal 2000 and Battle Queen 2020) has a lace robe open to show off some of her assets as she engages in dark magics to enrich her husband Larry's law firm career. That...involves oils, light moaning and "O" face. Now you would normally think she would go full striga and kill off the competition Howard (Edward Albert of Butterflies Are Free, Galaxy of Terror, Guarding Tess, Port Charles, A-List and Sea of Fear) but instead, she cripples him with her magics. Larry played by Larry Poindexter of Introducing Dorothy Dandrige, Blade: the Series and Days of Our Lives is not having any of this...regardless of large breasted brunette gazing hungrily at him.

So I get to keep my clothes on?  Guess that is a relief.















Amelia, (Linda Blair of Sweet Hostage, Stranger in Our House, Wild Horse Hank, Ruckus, Hell Night, Chained Heat, Savage Streets, Chicken Soup for the Soul, S Club 7 in L.A., and Monster Makers)Howard's wife feels Howard has been flummoxed or bewildered by dark forces. As a practicing witch or wicca she is attempting to narrow down the suspects with the how and why method.

Rather than this be a straight horror thriller film there does seem to be a lot of emphasis on the copious amount of nudity giving it more of an softcore erotica rather that the time-honored horror tropes. That much was apparent right out of the gate gazing at Ms. Strain.


How to burn off energy after work.















Now I would be completely hypocritical if I didn't say I was staring at all the bits of lovely and threesome scenes aside, there actually is talent in this film. Okay the script is a bit far-fetched but I have seen A-list rom coms with dumber premises hands down so move on. Biggest complaints was Michael Parks (From Dusk Til Dawn and Red State)was used for nothing more than red herring and not enough booming William Marshall (Blacula and Scream Blacula, Scream). Larry's performance comes off as a tortured soul, lost in his own life. Linda goes from sweet as pie to cold as ice in record time. Scared the crap out of me seeing her with resolve on her face.

Rounding out at 93 minutes the eroticism is filled tastefully, the story isn't bad and the performance overall is pretty impressive just with this many jiggly girls running around the screen, might want to NOT have the kids awake while watching this one.

Craftmatic bed warmer.  Now available in auburn.

Wednesday, March 9, 2016

Good Action: Nighthawks


Well hello there! I bet you were expecting some Obscure Italian Horror movie. Nah, I think I got my point across but dammit I do need input on the flow of reviews, what you think I should be tackling and what really makes for good TV, Movie and Video Games. That being said, the story we are about to take on what intended to be the third in the French Connection that would have teamed up Gene Hackman's Popeye Doyle with a wisecracking smart ass cop probably played by Richard Pryor. Hackman showed next to no interest in doing a third movie so writer David Shaber (Such Good Friends, The Warriors, Last Embrace, Rollover and Flight of the Intruder) bought the rights to it, tinkered with it and released it under the title it is better known for. This is Nighthawks.


We in the club!..  I'll slap myself for that one.
















There are approximately 2 major stories as well as 3 sub-stories in our films so if you get lost, I will toss you a Marty McFly life jacket. Our main story revolves around the ruthless terrorist Wulfgar (Rutger Hauer of LadyHawke, Bladerunner, The Hitcher, Blind Fury, Split Second, Buffy the Vampire Slayer and Batman Begins) a marksman and demolition expert whose only cause is himself and striking fear into those that wronged him. After a department store bombing in London goes awry, Wulfgar needs a new identity, papers and even a new face to stay off the grid.

In the streets of New York, two street crime cops pull stings to rid of muggers, rapists and gangers as Detective Sergeants DaSilva (Slyvester Stallone of Rocky, First Blood, Rambo: First Blood Part II, Cliffhanger, Daylight, Copland and The Expendables) and Fox (Billy Dee Williams of Carter's Army, Hit!, The Take, Star Wars: The Empire Strikes Back, Fear City, Batman, Mask of Death and Steel Sharks) pull up the scum off the ground like so much chewing gum and toss it in the trash...or jail if you prefer. No sooner are they serving a high-risk warrant, our boys discover there are corrupt cops in with the dealers and all Hell breaks loose. 


Why yes, I was in The Hitcher.














Wulfgar meets with his contacts for papers and cash when the delivery man takes too long and sweats. Wulfgar senses a trap and smokes him along with three constables from London Metro. Chief Inspector Hartman (Nigel Davenport of Play Dirty, A Man for All Seasons, Phase IV, The Island of Dr. Moreau, Chariots of Fire and Greystoke: The Legend of Tarzan, Lord of the Apes) knows Wulfgar in and out and finds from his documents he is making his way to New York.

With the brewing storm of NYPD corruption going to be proved in what the fellas saw, their lieutenant sends them to Hartman as a division of an counter-terrorist task force given their experience in Vietnam. What you call Hell, Rambo calls New York. With their street savvy, knowledge of the fences, middlemen and weapons dealers, they hope to capture Wulfgar once and for all.

But hey we haven't had any ladies in this thus far. Enter DaSilva's estranged ex-wife Irene (Lindsay Wagner of The Paper Chase, The Bionic Woman, Ricochet, Thicker Than Water and Warehouse 13) attempts to deal with her ex-hubby's high-risk work and the fear of him dying on the streets broke them up in the first place but they both want to try to put things back together.

Meanwhile, Wulfgar's partner, in every sense of the word, Shakka (Persis Khambatta of Conduct Unbecoming, The Man with the Power, Star Trek: The Motion Picture, Megaforce and Warrior of the Lost World) tells Wulfgar his methods that slaughtered children were just too risque for his fellow terrorists so they wash their hands of him. In case that did read a bit wacky, HIS METHODS DID NOT WORK WELL WITH TERRORISTS.

Hartman and DaSilva seem to be on the same page with Wulfgar and they want him dead or alive at this point. Will they succeed? Will Wulfgar escape and get to plow Shakka?



The film had a "Rocky" start to begin with when director Gary Nelson (Get Smart, Freaky Friday, The Black Hole, Allan Quartermain and the Lost City of Gold and Early Edition) was let go from the project after a week's production to be replaced by Bruce Malmuth, who at the time only been a second unit director for a couple of scenes of Foreplay, was unable to shoot the first day after Nelson was canned, so Stallone stepped up to shoot a scene for the day, being the chase in the subway. Yes they got fined for it by the Directors Guild of America due to "burning daylight" is not considered an emergency.

Rutger Hauer was injured on the set thanks to a malfunctioning squib (bullet wound triggered by remote control with a blood pack) burned him and getting yanked on a harness line through a window (with spun sugar glass) that jacked his back. Hauer and Stallone apparently had shouting matches that would have made Christian Bale blush at the choice metaphors.

Nothing more vicious in this flick than the damn MPAA (Motion Picture Association of America) that gave the original cut of the movie an X rating due to its gore and graphic content that is actually nowhere near as bloody as say Dirty Harry, The Mechanic or even The French Connection. Re-editing and new submission was still deemed too violent for even an R rating. 

PHOENIIIXXXXX!!!!!!!
 

Monday, August 10, 2015

Made for TV Movies: The Night Stalker


Welcome back to Rotten Reelz Reviews and to Day 1 of Made For TV Movie Week.
This time around I chose a TV movie that brought us a fun supernatural mystery series a year later. Our story is based on the novel by Jeff Rice The Kolchak Papers. His agent Rick Ray felt the manuscript would make an excellent movie. This is The Night Stalker.

Think I just stepped in something.














With alongside Jeff Rice, novelist Richard Matheson (I Am Legend, The Twilight Zone, Being, Ride the Nightmare and Duel) working with director John Llewellyn Moxey (Horror Hotel, Sanctuary of Fear, The Mating Season, Killjoy, Magnum, P.I., and Murder, She Wrote) as we follow the story of Carl Kolchak (Darren McGavin of Dr. Kildare, Gunsmoke, The Outsider, The Death of Me Yet, Kolchak: The Night Stalker and A Christmas Story) a brilliant reporter with a very abrasive personality that has surprisingly giving him his walking papers 10 times from large and big-city papers to reducing him to working for a small ragtime paper in Las Vegas. Our flick opens with a shabby hotel room dictating a book into his tape recorder. The book depicts of a gathering of unexplained events in Las Vegas including a cover up of said events by the authorities.

A series of murders seem to effect the Las Vegas Strip, Every victim has been found completely insanguinated (completely drained of blood) which the rags dub it vampire attacks. His boss Tony Vincenzo (Simon Oakland of I Want to Live, Psycho, West Side Story and Bullitt) while sleazy and cantankerous but the story is there. Kolchak is quite worried about his girlfriend Gail Foster (Carol Lynley of The Cardinal, Another World, Bunny Lake Is Missing, The Poseidon Adventure, The Cat and the Canary, Willow B: Women in Prison and Balboa) who works at night as a dancer. While he tries to persuade her to quit her job but of course being a whishy-washy male he does not offer his hand in marriage because that whole tying down seems a bit too much work to combat with his love of the stories.

Ahh Gypsies!!  Run!!














At the behest of his girlfriend, Kolchak begins looking into the lore of vampirism with great skepticism but cannot help seeing the pattern. Unbeknownst to Kolchak but known to the audience a little pow pow the sheriff (Claude Akins of Rio Bravo, Movin' On, Battle of the Planet of the Apes, Murder, She Wrote, The Curse and Pushed Too Far) the D.A. (Kent Smith of Cat People, The Curse of the Cat People, The Spiral Staircase and Peyton Place) and Chief Masterson (Charles McGraw of Adventures of the Falcon, The Defiant Ones, Spartacus, The Birds, Perilous Voyage and The Killer Inside Me) discussing how best to follow up this potential suspect Janos Skorzeny (Barry Atwater of General Hospital, A Time Out of War, Sweet Bird of Youth, The Night Stalker, The Rockford Files and F.I.S.T.) back tracking for years. The cops attempt to stop Janos from raiding a hospital of blood while giving chase and gun blasting away at him.

While still scoffing at the notion of vampires, Kolchak gets the whole vibe that something truly supernatural is on the rise that Janos might actually be a vampire. This being slapped away the police that Kolchak convinces the cops that Janos a real monster.



This film is dark, clever with humorous content. This film gives us a thriller with no gore splattering and caking the walls and no heaping amounts of profanity to speak of at all. A story of good vs evil that all ages can enjoy and I cannot help but praise it.


That fella has a bit of an overbite.






































































































































































































































































































































































































































Monday, July 27, 2015

Adrian Paul Week: Masque of the Red Death


A fine hello to all that is reading the blog and welcome to Day 1 of Adrian Paul Week. Initially, as most of you know I do like to get to the humble beginnings of all actors/directors/writers but I do not think my heart could have handled a spin-off of Dynasty known as The Colbys. 19 episodes about entitled wealthy white people holds no interest to me at all. With that in mind, we move on to a film adaptation of an Edgar Allen Poe short story filled with intrigue, thrills and perhaps a murder or two. Now before you all get excited I must warn you up front this a Roger Corman production. The second attempt after the 1964 film starring Vincent Price. This is Masque of the Red Death.

Can't get that Queen song out of my head.













While a virulent plague is laying waste to his kingdom, Prince Prospero (Adrian Paul of Last Rites, War of the Worlds, Dark Shadows, The Owl, Highlander, The Breed and The Void) awakes from a horrific nightmare. Comfort found in the arms of his wife/sister Lucrecia (Tracy Reiner of Die Hard, When Harry Met Sally..., A League of Their Own and Apollo 13) Prospero decides to hold a gathering (NO! NOT A HIGHLANDER REFERENCE!!!), a soiree of his friends for drunken debauchery and ravaging of the women. You know, good times. They will stave off the impeding plague in luxury and hedonism whereas the peasants are left to fend for themselves. His friend Claudio (Jeff Osterhage of The Texas Rangers, Knight Rider, Moonlighting, South of Reno and Dark Before Dawn) grabs up a myriad of birds for the impeding feast as well as all the good looking women in the village, so clearly if you are well-to-do bachelor let Claudio do your shopping.

Mr. Brand? This basement is stinky.













One of the ladies in question is the lovely Juiletta (Clare Hoak of Freddy's Nightmares, Masque of the Red Death, The Terror Within II, Deadly Deception and Home Alone 2: Lost in New York) which the prince has his eyes on. Salivating over young Juiletta, Lucrecia seems almost taken back that her brother/husband is looking for new conquests to be had. The ball is in set to begin when a guest arrives dressed head to toe in red. Does this guest have a sinister motive for attending this shindig? Is there to be a murder on the rise? Will the nobles lose their heads figuratively or literally?



A few comments now on the film. On a technical aspect of the movie, lighting and sound are spot on but the sets look drab and dull. The costumes do not have the same bright and lavish colors they could and frankly the film itself looks like it was shot for a TV movie. The opening credits show some great slow pans around various medieval torture devices as the equipment hangs. I about choked on my Coke Zero as I had to see the late great Sir Patrick McGee in his costume. Camp will do nicely. A few torture scenes occur but are extremely tame and the nudity seems to only serve to show off B-movie actresses Maria Ford, Clare Hoak and Adrian Paul's build.  FYI, you know you have seen too much schlock movies when you can spot and identify a B-movie actress of some ill-repute.


The blood and gore factor is nothing to what I was expecting in a horror thriller but hey that alone is refreshing for me. The gags were remarkably calm but still well shot. I am confused why they felt the need to add the incestual aspect of Prospero and Lucrecia's life when it had no real barring aside from me going ick. Not exactly the taboo if you have no follow through. I do not blame Mr. Paul for this production as so much realize that a young actor had to take the parts readily available for him. If you need a production of this film I recommend the 1964 version with Vincent Price or Hell, even the 1990 version with Frank Stallone. Yeah I just gave kudos to a Frank Stallone movie.

Best Pantene commercial ever!



Thursday, February 26, 2015

Gorefest: Nightmare


A fine greetings to all that is still reading this blog. Welcome to Day 4 of Gorefest. Well after the extremely goofy, crass flick of yesterday's Blood Diner I am hoping today's flick will be creepy yet messy. Bloody but suspenseful. Looks like I might get my wish. How about a serial slasher that actually stayed in the mental institute?? Bizarre concept?? Sayeth whaaaaat?? Yeah I am teasing. He escapes shortly after his anti-psychotics aren't doing the trick and he is out on the streets or maybe a stolen car. This is Nightmare.

Teach you to get into my 65 year old scotch!













George Tatum (Baird Stafford of Nightmare and Dog Tags) underwent a experimental trial with a new drug. This drug is suppose to cease his psychotic episodes and his horrific dreams brought by some childhood trauma he either cannot or won't share about with his doctors. "On the road to recovery", he stops at a nudie booth and has horrible flashbacks of his parents... getting busy... and then a boy with an ax murders them causing George to foam at the mouth and fall into a seizure. With the nightmares worsening, George is released from the hospital prematurely and all those involved with the drug trial are patting themselves on the back. Now he is on the loose searching for his ex-wife and children housed away snugly in Florida after leaving quite the mess in Philadelphia. Trust me when I say there will be more than a few apartments available thanks to George alone.

His ex, Susan Temper (Sharon Smith of Blast-Off Girls, Tyler, Nightmare and Puss in Boots), son C.J. (C.J. Cooke of Nightmare) and his two daughters Tammy (Tammy Patterson of Nightmare) and Kimmy (Kim Patterson) are completely unaware that Daddy is on his way and he is leaving a vicious trail of dead screws as he goes.

No, these aren't your panties... they're mine.













Susan being the bread winner of the house leaves the kids with Kathy (Danny Ronan of Nightmare) in charge when she starts to receive a series of hang up calls. With Last Call Return or *69 not available for another 13 years, Kathy is growing concerned.

Will George find his family and dance in their blood soaked corpses? Will any girl ever want to be a babysitter thanks to the 80's horror films? Will there be competent cops or the typical clueless slasher ones?


A few comments on the film. There has been a dispute on Tom Savini's involvement in this movie for the FX, prostethics and blood bladders. Apparently he was only a technical advisor and not hands on with this one. Also, he is really sick of answering this question, horror buffs so move on.

With the smart editing, bizarre visuals and fairly graphic death sequences you almost have a feel of William Lustig's Maniac or even Lucio Fulchi's The New York Ripper. In many ways, the killers are similar with the completely jacked up childhoods and the disposal of the victims are alike but unlike those characters, George's back story is a teensy more jacked up than they and the nightmares are a doorway into George's psychosis showing how deranged he really is. With dreams of blood stained scenarios every night it is no wonder this man cannot get a decent rest let alone keep his oars in the water. With the POV shots on potential victims, the long crane shots and the dolly track always staying away from them, you really cannot be certain when he will really strike. It really leaves the mind spinning on how all this could happen.


So yes like Maniac and The New York Ripper this is grisly and just as sleazy with solid story telling and I did jump a few times watching. The characters aren't really anything new but overall I did enjoy the film. You need a good thriller with that serial killer slasher vibe, you like your rooms blood-splattered and gory then this is your film.  In the 1980's this fell under the Video Nasty in the UK for its graphic death scenes and no "artistic" integrity. And decades later I think I have seen bloodier flicks from across the pond.

Blarggfff!!!!

Thursday, December 4, 2014

Hodgepodge Scifi: Trollhunter

A heartfelt welcome back for Day 4 of Hodgepodge Scifi. It would appear today's film takes on the premise of a documentary in the style of The Blair Witch Project in Norway. Alas our valiant crew is not looking for hags but in fact there seems to be a steady decline in bears and many of the local hunters are convinced there is a poacher. Three college students are set out to find our illegal hunter but there's a slight catch. Seems as though said hunter is not trailing bear but a much deadlier predator. This is Trollhunter.

Ahhh!!! Paris Hilton!!! Oh, wait that's the troll.














With writer/producer/director Andre Ovredal (Future Murder, The Autopsy of Jane Doe and Ghost Projekt) this film is a found footage mockumentary aligning a cast of less than known actors cut interspersed with random footage following carnage of bears being wiped out, our students documentation director Thomas (Glenn Erland Tosterud of Orange Girl, Trollhunter and High Point), boom operator Johanna (Johanna Morck of Cold Prey 2, Magic Silverm Trollhunter, Date and Before She Came, After He Left) and cameraman Kallie (Tomas Alf Larsen of Cold Prey, Cold Prey 2, Trollhunter and It's Only Make Believe) on in hot pursuit as they survey the camps, finding odd tracks in the snow which is immediately dismissed by Finn Haugen (Hans Morten Hansen of Trollhunter, Dag, Curling King and Side om side), the head of Norwegian Wildlife Board. He believes the tracks to be faked and someone looking to pass on a ghost story or stir up publicity. The suspected poacher, a one Hans (Otto Jespersen of Odd Little Man, Rikets rost, Trollhunter, Nattskiftet and Borning) seems to know the mountains inside and out and could easily evade capture, live off the land and not worry of authorities coming at the ready for him.


Next time, no mating calls!!













Failing to secure an interview that morning, the trio bird-dogs him that night, slowly creeping up on him on foot when they see Hans fleeing for his life screaming, "Troll!" Thomas is attacked by a massive animal and the lot of them pile into Hans' Land Rover as their own vehicle's tires have been torn to shreds. Coming clean with the kids, Hans tells them he does not stalk and kill bears but in fact kills trolls. Naturally they are skeptical but ask to join Hans and record the hunt, which he agrees provided they adhere to his every condition on the hunt. No exceptions.

Encountering a troll, Hans blasts a three-headed beastie with a UV strobe light that must have been set at God level because the critter turns immediately to stone. We learn that sometimes trolls just explode due to a concentration of UV light. Normally the creatures stay out of populated areas and lately they have been violating their own instincts. Hans is determined to get a blood sample and see if something has altered in their diet. He later explains that his is a government agent that specializes in destroying these creatures if necessary, track and monitor their habits.

What is causing the creatures to roam about? Can Hans decipher what is going on before it is too late? Will the public finally learn that the creatures of myth are actually factual?


Just a few bit of info on the moving pictures there. This was shot entirely in the forests and mountain range of Western Norway which as actress Johanna Morck put it, an exhausting experience running up and down that region. According the director Ovredal this was the only way to maintain absolute secrecy on the flick as a whole. With some CGI, the creatures are very effective and the night vision view adds to the drama.


Sadly the comparison to The Blair Witch Project was weighed heavily on this movie and many found it flat performances and lacking texture. Personally, I found the cinematography amazing, the locations excellent for a creature of legend and in general, it was fair a great example of a low budgeted film pushing the envelope. Hell, Rotten Tomatoes gave it a 82 percent on the Fresh rating say 72% that saw it liked it overall and I have to agree. I went into this with no hope of being entertained and I was refreshingly surprised. Give it the once over, folks.

Yeah we have cold camps but we also snuggle well.