Hey folks I have returned. Yeah it
has been awhile since these reviews were back to back but I am just
managing time better. Wibbly Wobbly aside, today I wanted to delve
back into Blaxploitation and clear up a misnomer. One being today's
film is the direct sequel to the private dick that's a sex machine
and NOT Shaft in Africa. Yeah I know I have heard otherwise. Look
at your chronology sucka or Hell just get on IMDB that surprisingly
has this one under wraps. So yes we are getting a dose of Richard
Roundtree being a bad mother once again. This is Shaft's Big Score.
He's undercover. |
Not to be confused with Score's Big
Shaft. Yeah not proud of writing porn but it pays the bills. Is he
kidding? Figure it out yourselves. Nutty idea you could always ask
when you put in film requests.
Shaft (Richard Roundtree of
Portrait of a Hitman, Game for Vultures, City Heat, Maniac Cop, Night
Visitor, Crack House, Roc, Se7en, Rescue 77, Shaft and Soul Food)
is back in the streets, doing his thang when he gets wind of a
racketing gig out of a friend Cal (Robert Kya-Hill of Shaft's
Big Score, Death Wish, Lou Grant, Good times, Ryan's Hope and Sue)
business being a funeral parlor. Trying to reach our protagonist on
the horn (My guess he's all tuckered out from whatever girls he
was with that night) and tell Shaft his plight. It's definitely
more than a boggle.
Worried about his sister Arna (Rosalind
Miles of Shaft's Big Score, The Black Six, Girls for Rent, The
Manhandlers, Attack on Terror: The FBI vs.the Ku Klux Klan and Friday
Foster) he asks Shaft to keep her safe and meet him at his
office. With a serious bomb explosion, the Captain of the precinct,
Brolin(Julius Harris of Live and Let Die, The Taking of Pelham
One Two Three, King Kong, Split Decisions, Darkman, Maniac Cop 3:
Badge of Silence and The Gifted) is grilling Shaft while his
buddy Cal has been char broiled. Not cool, brah.
This is for getting more booty than us! |
Once again directed by the late great
Gordon Parks (Flavio, The World of Piri Thomas, The
Learning Tree, Shaft, The Super Cops, Leadbelly and Moments Without
Proper Names) so we are in good hands. A quick moment to
talk about this amazing man, Parks was a photographer and reporter
for Life Magazine in 1948-1949, is godfather to Quibilah
Shabazz, daughter of Malcolm X , co-founder
of Essence Magazine
and alongside Melvin Van Peebles (Sweet
Sweetback's Baadassssss Song, Don't Play Us Cheap, Gang in Blue,
Tales of Erotica and Bellyful) are the founding fathers of
Blaxploitation. Yeah babies, that is heavy.
Back to the movie under the MGM title,
we are making away through Harlem, Laguardia and New York Manhattan
proper as this mystery is just getting started. Hey am I wrong
wanting Fred Williamson and Richard Roundtree to either team-up or
have to duke it out? Shaft is trying to work out what brought this
down on his buddy and solve his murder but more than a few bumps are
in the road. Including mob boss Bumpy (Moses Gunn of Wild
Rovers, Shaft’s Big Score!, The Cowboys, Rollerball, Good Times and
Vega$)
rears his head out of the sand as it would appear $200,000 is
unaccounted for and Bumpy wants a payday. The funeral proceeds on
schedule, Shaft and Arna get back to the house finding it tossed
looking for the missing dough.
Those pigs call me booty? |
To
make matters worse, a rival crime boss, Gus Mascola (Joseph
Mascolo of Hot Spur, Shaft's Big Score, Jaws 2, Bronk, Gangster Wars,
Sharky's Machine, The Gangster Chronicles. Santa Barbara, General
Hospital, The Bold and the Beautiful and Days of Our Lives)
was in bed with Asby's partner Johnny Kelly (Wally
Taylor of Roots, When a Stranger Calls, Palmertown, U.S.A., Circle of
Power, Rocky III, Seduced and Night of the Creeps)
tells da boss the 200 gees is in the wind. With the property being
in Harlem this can only lead to a gang war.
Even
after the death of his partner, Kelly is running numbers on sports
gambling and it's business as usual. His runners are out and about.
So classy is our boy Kelly slaps his girl Rita (Kathy
Imrie of Shaft's Big Score, Let's Go for Broke, Night Heat, Street
Legal, Street Law, Shadow Creature, Soul Food and Doc)
for speaking while he's scheming and sweating out dealing with the
Italians.
No
sooner he has a sit down with Mascola, Kelly is already thinking of
bringing the action to Bumpy. Maybe the hope is the rub each other
(Not that erotic way, ya pervs) and then the landscape is clear for
Kelly to cruise on through. Yeah fellas there is plenty of T &
A to go with this action packed film. Oh ladies, they were gonna
ask. It was inevitable.
Can
Shaft get out of this one? Will Bumpy get his just due? Will Kelly
be hanging from a lamp post?
With a budget of 1.9 million, the
mechanics of the cinematography have vastly improved, getting the
same screenplay writer Ernest Tidyman back and the sheer larger scale
of this flick felt like a Bond movie. Hell even the original posters
gave that vibe. We got helicopter chases, car chases, gunfights and
even a good boat chase. Issac Hayes does not come back for his
iconic Shaft theme as apparently he and Gordon had a falling out.
Finally saw a High Standard Model 10
bullpup 12 gauge. Something I haven't seen since Jame Caan's Thief
and Miami Vice. 12 gauge, five round capacity and it's
semi-automatic. Awesome cannon.
So yes this is a good solid sequel.
Not truly a stand alone film as it does rely heavily on the
predecessor but still a good follow-up, decent lines and Shaft being
a total bad ass.
Bad mutha with a boomstick! |
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