Good day and welcome to the week, my
readers. Well, I posted in as many places as I could asking the
reading public any ideas for the week. Alas only one person answered
and offered up an actress that I am familiar with but had not explored
with a great degree. My friend Hodge suggested the queen of the
screen, the madam of misery and with such charisma and fashion, an
icon for many. With a less than flattering tell-all book written
by her adopted daughter, a film portraying her in the spotlight as
obsessive compulsive, cruel and prone to fits of rage. With the
illusion of pouty lips, it became known as Hunter's Bow Lips and she
was credited as helping to converge America's dislike against
lipstick.
Ooo, she gonna whoop somebody. |
Having met Steven Spielberg on the set
of Night Gallery as a young director and was a source of inspiration
for his early years. A cultural icon started out in a collective of
menial jobs to allow her time to continue and perfect her dancing.
Entering in several contests she landed herself in a spot of a chorus
line dancing her way through the Midwest and East Coast when after
two years of this she simply moved to Hollywood for the next big step
in being a star when she landed her first bit part as a showgirl in
Pretty Ladies.
With the hurdles of the talkies driying
up and handed more and more bit parts, Crawford grew tired of MGM
studios and head for their primary rival Warner Brothers in the later
1940s, landed the plum role for Mildred Pierce allowed her to show
her full range as an actress captivated the audience and earning her
an Oscar for Best Actress. Born Lucille Fay LeSueur was informed by
MGM mogul Louis B. Mayer to her stage name because according to his
very narrow piggy little head that LeSeur sounded to close to sewer.
Thus Joan Crawford was born.
With that in mind we will examine and
go over the various well known titles of this actress that to this
very day. Her following is as great as it was in the day and quite
possibly more appreciated. Please sit back and enjoy Joan Crawford
Week.
More smoke on this film than a Cuban tobacco harvest. |
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