Hey true believers, welcome back to Day 2 of TV Episode Daredevil. A quick recap on Matt Murdock. As a child, Matt was blinded by a vat of volatile chemicals that were on a truck accident he saved an old man from dying. While unable to see in the conventional sense, he has a sort of radar sense and his other senses seem almost heightened. After the previous episode the Russians abducted a boy from his father and left a trail of bread crumbs for him to follow. This is Daredevil: Cut Man.
|The lengths guys will go to impress Rosario Dawson.|
While a young man Santino (Moises Acevedo of Don't Let Me Drown, Remember Me, Kings of Bushwick, Flat Out Amazing and Three from the Block) takes out the trash he notices a battered masked man in black laying in the dumpster. Running upstairs to fetch Claire Temple (Rosario Dawson of Josie and the Pussycats, Men in Black II, Sin City, This Girl's Life, Clerks II, Death Proof, Wonder Woman, Unstoppable and 10 Years), a nurse on night shift. The two haul the man in black (Matt) to her apartment where she discovers he has busted ribs, several cuts that he is bleeding out from and more than likely a concussion.
Matt wakes up on Claire's couch in absolute pain and is unmasked and tells Claire that the Russians laid a trap for him, hence he looks like the losing end of a soccer riot. Knowing the Russians won't be happy until he is a corpse he tries to deal with them, get the boy back and save the proverbial day. If he could stop passing out. We are treated to a flashback of Matt (Skylar Gaertner of Locke & Key, The Americans, Alex of Venice, Every Secret Thing and I Smile Back) listening to a boxing match with his father Battling Jack Murdock losing the fight. Jack gets back and gets stitched up by Matt as they talk about never staying down in a fight. Murdocks always get back up.
|Dad, no more PTA fist fights.|
With the Russians combing Hell's Kitchen looking for him, he plans to capture one of them and get him to talk... by typical vigilante terms of a butt whipping.
Meanwhile Karen and Foggy are bar hopping and bonding as Karen unloads on Foggy saying she can't bear to be in her apartment after her former colleague was killed there and she herself was almost killed. Foggy's lighter view starts to show Karen there is good in the Kitchen with the community giving a damn about one another which puts her in a better mood.
Matt/Man in Black awakes to deal with one of the Russians, get intel on the abducted boy and plans his assault in spite of all his injuries. Can he save the boy? Will he survive let alone put up much of a fight against the Russians? What will saving one life accomplish?
A few keynotes of the episode now. With director Phil Abraham (The Playboy Club, Hell on Wheels, The Walking Dead and Mad Men) at the helm, this episode is an excellent follow-up from the pilot, not pulling punches or forgetting to show that our hero is in fact, human and vulnerable. The issues Claire has with Matt's flexible morality on beating down the bad guys leaves her in a tight spot on whether or not he is one of the good guys. The atmosphere, lighting and scope of Hell's Kitchen all encompasses the story giving you tragic stories, areas of triumph and insight to the characters around.
Daredevil always looks hopelessly outnumbered, outmatched and out maneuvered in the comics and this is no exception. With fight choreography via stuntman Philip J Silvera (Never Surrender, Cop Out, Chuck, FlashForward, DC Universe Online, Bad Girls and Resident Evil: Operation Raccoon City) with ten years of experience helping TV, film and video game fighting design, the realism is there, the punches sound meaty and vicious and Murdock gets tagged. No Spidey sense or bottomless pit of stamina assists him as it is all his will and determination.
|She is so out of your league, Foggy.|